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Sacred Correspondences
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This page groups deities by the domain or function myth assigns them, the area of life, craft or natural force a god is called on to govern. Wikipedia's overview of deities gives a clear example in the Yoruba god Ogun, described as "the primordial masculine deity as well as the archdivinity and guardian of occupations such as tools making and use, metal working, hunting, war, protection and ascertaining equity and justice." Browsing by domain lets a visitor find every god of, for example, war or the harvest, across many different pantheons at once.

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Four Creators, One Shared Pattern Held Differently

This article records tradition as it has been passed down and reported. Its sources are not yet part of the atlas's verified catalogue.

Australian Aboriginal Deities gathers four creator figures from different Aboriginal nations, showing both a shared Dreaming pattern and how differently it is held from group to group.

Baiame, the Sky Father and creator figure of Kamilaroi, Wiradjuri and neighbouring nations of southeastern Australia, is credited with shaping the land during the Dreaming and establishing law and ceremony, known through public ethnographic record and rock art rather than secret sacred material. Bunjil, the Eagle creator ancestor of the Kulin nation peoples of what is now Victoria, is likewise credited with making the land, the people and the law during the Dreaming, and is represented in a well known and publicly accessible rock art shelter in the Grampians, Gariwerd.

Rainbow Serpent is the widest of the four, a creator being of great significance across a large number of Aboriginal nations, associated with water sources, fertility and the shaping of the land during the Dreaming, known under many different regional names and honestly not one single uniform figure but a widely shared and independently developed pattern.

Wandjina, the rain and cloud ancestors of the Worrorra, Ngarinyin and Wunambal peoples of the west Kimberley, made the country, its water and its living things, gave the law, and put themselves into the rock of particular places where their images remain; a Wandjina's presence in a place is understood to hold the monsoon to its proper season, and behind the individual figures stands Wunggurr, a diffuse life force in water and deep places. Authority to paint a Wandjina belongs to people of the three custodial peoples who have been through their own law, and this atlas records what the Wandjina are and who holds them without reproducing or inventing any image of one.

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1. Divinity Atlas Directory Taxonomy, First Edition Category Tree
Divinity Atlas Directory Prose, First Edition Category Descriptions
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