Origin 1465 to 1620
The Water Face Shape, or shui xing lian, is one of the five element, wu xing, face shapes of mian xiang. It is described as round and full, with soft, fleshy features and few sharp angles anywhere on the face, echoing water's traditional association with fluidity and adaptability. Practitioners read this shape as belonging to someone adaptable, sociable and resourceful, matching water's traditional qualities within the five phase system. As with the rest of mian xiang, this is a traditional interpretive practice, not a finding of medical science.
Facts
Origins
Origin Period Origin PeriodTraced by Livia Kohn to Chen Tuan, the tenth century Taoist credited as a founder of Chinese physiognomy and traditionally taught by the legendary Hemp Robed Master, with the five shape scheme reaching its classical statement well before the Ming dynasty compilations that fix the twelve palaces. 2 Attributed Author / CompilerThe five element classification of face shapes belongs to the same classical apparatus, traced by Livia Kohn to Chen Tuan, the tenth century Taoist credited as a founder of Chinese physiognomy and traditionally taught by the legendary Hemp Robed Master, whose name the tradition also carries as the title of an older manual, the Ma Yi Shen Xiang. The fullest surviving compendium of this whole apparatus, the Shenxiang quanbian, is dated to the Ming dynasty. 2 Origin of the NameXing lian pairs xing, phase or element, with lian, face, following the same wu xing five phase vocabulary used throughout Chinese correlative cosmology for organs, seasons, directions and now facial morphology. 2 Status
Standing as a Comparative CategoryLargely abandoned as a comparative category 2 Learn More
The Shape Without Sharp Angles
The Water Face Shape, shui xing lian, closes the five element sequence with the shape mian xiang reads as furthest from the pointed, angular reading given to fire, described instead as round and full, with soft, fleshy features and few sharp angles anywhere on the face, echoing water's own traditional association with fluidity and the capacity to take whatever shape a container gives it. Within the five phase generative cycle, water is produced by metal, condensing the way moisture gathers on a cold surface, and water in turn nourishes wood, completing the cycle the whole face shape system draws on, wood feeding fire, fire producing earth, earth bearing metal, metal enriching water, water nourishing wood again.
Practitioners read this shape as belonging to someone adaptable, sociable and resourceful, qualities that match water's consistent place across the wider five phase framework, in medicine where it governs the kidneys and is associated with reserve, adaptability and deep resource, and in astrology where it governs flexibility and intuition. That the water shaped face closes the five element cycle exactly where the wood shaped face opened it, softness following structure the way water follows metal, reflects the cyclical rather than linear logic the whole five phase system is built on, a logic mian xiang's face shape classification imports wholesale rather than reinvents.
Connections
Associated With
Source Mirror of Auras: Chen Tuan on PhysiognomyLivia Kohn
Belongs to Tradition
One of the Five Element face shapes (wuxing), classifying overall face form by the Chinese five element correspondence system.
Source A Textbook of Physiognomy: The Tradition of the Shenxiang quanbianLivia Kohn
Sources
1. A Textbook of Physiognomy: The Tradition of the Shenxiang quanbian
Livia Kohn, Asian Folklore Studies, 1986the Ming dynasty dating of the Shenxiang quanbian, 1465 to 1620
2. Mirror of Auras: Chen Tuan on Physiognomy
Livia Kohn, Asian Folklore Studies, 1988Kohn 1988, p. 223, section 2, the water correspondence (obesity, literary talent)
correspondences are given between "metal" and angular appearance, "wood" and slimness, "water" and obesity, "fire" and sharply-cut features, "earth" and coarse, solid looks. In addition certain psychological dispositions are associated with the five types. They are in the above order: deep resolution, wealth, literary talent, courage, and caution.
- Associated With: Water
View the Source Targeting the Readership for a Ming Publication: Comprehensiveness in the Compendium for the Expert Physiognomist
Mei Chun, Asia Major, 2016the compendium's construction and its attribution to Chen Tuan and the Hemp Robed MasterView the Source Reader Challenges (0)
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