The Zhuangzi butterfly dream is the source of the image in East Asia, and the butterfly reads as transformation and as conjugal love.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
Classical Chinese is documented in use as a written language in China. The claim is where the language is documented in use as a written, literary or liturgical language. It is not a claim about the full extent of its speakers, and it is not a claim about where the language originated.
Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)
The long is a bringer of rain and an emblem of the emperor, and is not the adversary of the European figure.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The manuscripts and the commentarial tradition are Chinese throughout.
The huli jing, the fox spirit that takes human form, older than its Japanese descendant.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
Source Chinese Mythology: An IntroductionAnne Birrell
Sun Wukong, the monkey who storms heaven and is put under a mountain for it.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The ox of the spring ceremony, and the ox-herding pictures of Chan Buddhism.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The twelfth of the zodiac animals, and pork as the ordinary sacrifice of the household.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The qilin is a Chinese omen animal whose appearance announces the arrival or the passing of a sage or a just ruler. It is described as a composite, hooved and scaled, with the horns of a deer and a body wreathed in flame.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The hare in the moon, pounding the elixir of immortality.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
First of the twelve, which it reached by riding the ox and jumping off at the finish.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
Red, Colors In Chinese custom red is the colour of celebration and good fortune, used for wedding dress, New Year couplets and the money envelope. This is a separate strand from the five-phase attribution of red to Fire and the south, and the two are often run together in Western summaries.
Source A Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and ThoughtWolfram Eberhard
Tenth of the twelve, and a bird whose five virtues are listed as a moral lesson.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The name is written with characters borrowed from a Chinese celestial dog, so the writing travelled to Japan ahead of the being. The Japanese mountain tengu is not the Chinese creature.
Source The Book of Yokai: Mysterious Creatures of Japanese FolkloreMichael Dylan Foster
The Dragon Gate legend of the carp that swims upstream and, on leaping the falls, transforms into a dragon.
Source A Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and ThoughtWolfram Eberhard
Chinese folk religion holds the three-legged moon toad, Chan Chu, later the benevolent "money toad" of folk practice.
Source A Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and ThoughtWolfram Eberhard
The white tiger of the west, and the tiger as the yang animal set against the dragon.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
The black tortoise of the north, and the shell that carried the first divination cracks.
Source A Chinese Bestiary: Strange Creatures from the Guideways through Mountains and SeasRichard E. Strassberg
White, Colors White is the colour of mourning dress in China and across much of East Asia, where European convention uses black. Neither is a corruption of the other: white follows from the Metal phase, the west and autumn, and the European black from an entirely separate history.
Source A Dictionary of Chinese Symbols: Hidden Symbols in Chinese Life and ThoughtWolfram Eberhard