The traditional religion of the Senufo people of northern Cote d'Ivoire, southeastern Mali and northern Burkina Faso, organized around the Poro, an initiatory institution that instructs Senufo men in graded stages, and its female counterpart the Sandogo, which gives women their own ritual and divinatory role. Poro instruction takes place at a sacred grove and uses carved masks and figures tied to each grade, kept and shown only within the society at the level a grade allows. Authority over a mask or an object of the grove rests with the Poro society that owns it, not with museums or collectors who hold examples removed from Senufo hands. The tradition remains active in Senufo communities today.
Facts
Observance
Observance NotePoro instructs Senufo men through a sequence of graded initiations tied to a sacred grove, with a parallel institution, Sandogo, giving women their own ritual and divinatory role. 1 Origins
Place of OriginNorthern Cote d'Ivoire, southeastern Mali and northern Burkina Faso, homeland of the Senufo people. 1 Status
Status TodayLiving tradition, practised today 1 Learn More
Masks the Grove Keeps and Museums Debate
Senufo traditional religion, practiced across northern Cote d'Ivoire, southeastern Mali and northern Burkina Faso, is organized around the Poro, an initiatory institution that instructs Senufo men through graded stages, and its counterpart the Sandogo, which gives Senufo women their own ritual and divinatory role. Poro instruction takes place at a sacred grove and involves carved masks and figures tied to each grade, shown only within the society at the level a grade permits, and this article does not describe what is seen inside a grove or how a mask is used there.
What is public, and the subject of real scholarly and museum world debate, is the afterlife of Senufo ritual objects once they leave Senufo hands. Carved Poro masks and figures entered Western museum and private collections over the twentieth century, often without the consent of the societies that owned them, and Susan Gagliardi's fieldwork based study of the Senufo poro is among the scholarly work documenting both the institution's structure and the ethical questions its objects raise once displayed outside their own context. Authority over a mask or a grove object rests with the Poro society that owns it, not with whoever holds an example removed from Senufo hands, and Senufo communities continue to practice Poro and Sandogo today, a living institution rather than a source of museum pieces.
Senufo Traditional Religion
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Correspondences & Relations
Connections
Objects and Practices of This Tradition
An outside ethnomusicologist's own account of the ethics of documenting Senufo Poro funeral rites, made for a French research institution's audiovisual strand, rather than an institutional production of the tradition itself.
Source Filmer les masques, la musique et la danse (CNRS Images / Canal-U)
Sources
1. The Language of Secrecy: Symbols and Metaphors in Poro Ritual
Beryl L. Bellman, Rutgers University Press, 1984Poro ritual and secrecy
Divinity Atlas Restricted Tradition Register, First Edition
restriction determination
Notes on the Poro in Liberia
George W. Harley, Papers of the Peabody Museum of American Archaeology and Ethnology, Harvard University, vol. XIX no. 2, 1941Poro society structure
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