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Sacred Art & Iconography

Codex Borbonicus

Pre-Columbian American Art

An Aztec pictorial manuscript painted on a single continuous sheet of amatl bark paper some 14.2 metres long, made in the Valley of Mexico around the time of the Spanish conquest, probably close to the year 1507. It opens with a tonalamatl, a divinatory calendar of twenty trecena periods of thirteen days each, every page centred on the deity who rules that period, and continues with a section on the eighteen veintena festivals of the solar year and a panel marking the 52 year calendar cycle. On its 52 year cycle panel, the deities Quetzalcoatl and Tezcatlipoca are shown dancing together, Quetzalcoatl identified by his cut shell breastplate, conical headgear and hook shaped earrings, shown here in his wind god aspect Ehecatl with a beak like mouth mask. Its veintena section gives unusual prominence to the rain god Tlaloc in its image of the Huey Tozoztli spring festival, a departure from the more common veneration of the maize goddess at that festival. The manuscript is held by the Bibliotheque de l'Assemblee Nationale in Paris and, as a French national treasure, has not been permitted to leave the country since the 1960s. This description is adapted from Wikipedia contributors under CC BY-SA 4.0; changes were made. https://creativecommons.org/licenses/by-sa/4.0/

Facts
Subject Matter
Depicted SubjectSourced to the subject's own account
The twenty trecena deities of the Aztec divinatory calendar, the eighteen veintena festivals, and the 52 year calendar cycle, including Quetzalcoatl dancing with Tezcatlipoca and Tlaloc presiding over the Huey Tozoztli festival. 1
Medium (class)Sourced to the subject's own account
Illuminated manuscript 1
Origins
CreationSourced to the subject's own account
1500 to 1524 1
CountrySourced to the subject's own account
Mexico (made in the Valley of Mexico; now in France) 1
Classification
Object TypeSourced to the subject's own account
Painting 1
Physical Form
MediumSourced to the subject's own account
Painted amatl bark paper, accordion folded 1
DimensionsSourced to the subject's own account
A single sheet approximately 14.2 metres long 1
Custody
Current LocationSourced to the subject's own account
Bibliotheque de l'Assemblee Nationale, Paris 1
Current CustodianSourced to the subject's own account
Assemblee Nationale, French Republic 1
Connections

Associated With

Tezcatlipoca, Deities

This source names Tezcatlipoca directly: "On its 52 year cycle panel, the deities Quetzalcoatl and Tezcatlipoca are shown dancing together, Quetzalcoatl identified by his cut shell breastplate, conical headgear and hook shaped earrings..."

Source Codex Borbonicus (Wikipedia)

This source names Valley of Mexico directly: "some 14.2 metres long, made in the Valley of Mexico around the time of the Spanish conquest, probably close to the year 1507."

Source Codex Borbonicus (Wikipedia)

Belongs to Tradition

Source Codex Borbonicus (Wikipedia)

Depicts

Source Codex Borbonicus, Page 22, Quetzalcoatl (analepsis.org, Aztexts)
Tlaloc, Deities
Source Catherine R. DiCesare, "Tlaloc Rites and the Huey Tozoztli Festival in the Mexican Codex Borbonicus," Ethnohistory 62.4 (2015)Catherine R. DiCesare

Originated In

Mexico, Regions
Source Codex Borbonicus (Wikipedia)
Sources
1. Codex Borbonicus (Wikipedia)
Wikipedia
  • lead sentence
    The Codex Borbonicus is an Aztec codex written by Aztec priests shortly before or after the Spanish conquest of the Aztec Empire.
  • catalogue record, medium/object-type description
    An Aztec pictorial manuscript painted on a single continuous sheet of amatl bark paper some 14.
  • Originated In: Mexico, Stored country property on this entity, cited to this source: Mexico (made in the Valley of Mexico; now in France)
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