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Religious Dress & Vestments

Surplice

Also Known As Cotta
Vestments

The surplice is a loose white tunic with wide sleeves worn over the cassock, fuller and shorter than the alb and put on over the head rather than girded at the waist. Its width is practical in origin: it emerged in northern Europe, where it had to go over the fur-lined choir dress worn in unheated churches. It is the garment of the office and the sermon rather than of the Eucharist. In the Church of England it became a matter of dispute in its own right, the surplice controversies of the sixteenth and again of the nineteenth century turning on whether wearing it conceded too much to the old religion, which is a great deal of argument for a white shirt.

Facts
History
Historical Note
The surplice controversies of the sixteenth and nineteenth centuries in the Church of England turned on whether wearing it conceded too much to the pre-Reformation church. 1Tradition: Anglican Christianity
Material (class)
Linen 3
Attributions
Tradition
Western Christianity, principally Catholic and Anglican 1
Classification
Garment type
Vestments 2
Occasion
Procession or Special Service 2
Physical Form
Material
A loose white linen vestment with wide sleeves, worn over the cassock. 1
Use
Worn By
Clergy, servers and choir, worn over the cassock at the offices and at services other than the Eucharist. 1
Learn More
Wide Sleeves and Unheated Churches

The Latin name gives the reason for the shape. Superpelliceum means over the fur garment, and the garment in question was the pelisse, the fur-lined choir dress that clergy in northern Europe wore to survive long offices in stone churches with no heating. An alb is cut close and gathered at the waist with a cincture, which will not go over a fur coat; a surplice is cut wide, put on over the head, and hangs loose from the shoulders with very full sleeves.

It is white linen, undecorated apart from occasional lace at the hem and cuffs, and knee length or longer. The cotta, shorter and with narrower sleeves, is the Italian form and is what most servers and choristers wear in practice.

Its liturgical place is the office rather than the eucharist. A priest wears a surplice for choir offices, for the occasional services of baptism, marriage and burial, for preaching, and for anything at which he is present without celebrating; he wears the alb and chasuble to celebrate. Clerks, servers, choristers and lay readers wear it as the general garment of anyone functioning in the sanctuary or the choir, which makes it by a wide margin the most commonly seen piece of Christian liturgical clothing in the west.

A White Shirt That Divided a Church Twice

In England the surplice became a test case, and twice over. In the 1560s the question was whether ministers should be compelled to wear it at all. The returning exiles of the Marian years had seen churches in Zurich and Geneva where ministers wore a plain gown, and regarded any prescribed vestment as a remnant of the old religion and a matter on which the state should not compel. The Advertisements issued in 1566 required conformity, London clergy who refused were deprived of their livings, and the dispute became one of the founding grievances of English puritanism. The surplice was still on the list at the Hampton Court conference in 1604, alongside the ring in marriage and the sign of the cross in baptism.

Three centuries later it was fought over from the opposite direction. The Victorian dispute was about preaching: the custom had become to preach in the black gown and to wear the surplice only for the service, so clergy influenced by the Oxford Movement who preached in the surplice were seen as making a claim about priesthood. There were riots in several parishes in the 1840s, in Exeter and in London among them, and congregations barracked their own clergy over it.

That is a remarkable amount of trouble for a loose white shirt, and it is a fair measure of how much doctrine people are prepared to read in cloth.

Connections

Belongs to Tradition

Contrasts With

The alb is girded and belongs to the Eucharist; the surplice is loose and belongs to the office and the sermon.

Element Of

The vestment the Prayer Book rubrics name for the minister at morning and evening prayer, and the garment the Vestiarian Controversy was fought over.

Source The Book of Common PrayerChurch of England; ed. Brian Cummings

The surplice is the vesture the Ornaments Rubric and the canons of the Church of England presuppose for a minister at the offices.

Source The Book of Common PrayerChurch of England; ed. Brian Cummings

Worn over the cassock by ministers, servers and choristers for the offices, for processions and for anything that is not the Mass itself.

Source General Instruction of the Roman Missal, third typical editionCongregation for Divine Worshipthe holders' own account

Rejected Here

Calvinism (Reformed), Denominations

The surplice was refused as a rag of Rome, and the argument that it is a thing indifferent was met with the answer that nothing imposed is indifferent.

Source Church Vestments: Their Origin and DevelopmentHerbert Norris

Related To

Always worn over the cassock.

Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
2. New Advent: Catholic Encyclopedia: Surplice
New Advent
  • Catholic Encyclopedia article Surplice, sentence 1
    The surplice belongs to the liturgical vestment in the strict sense, and is the vestment most used.
  • Catholic Encyclopedia article Surplice, sentence 2
    It is the choir dress, the vestment for processions, the official priestly dress of the lower clergy , the vestment worn by the priest in administering the sacraments , when giving blessings , at Benediction of the Blessed Sacrament , etc.; in the last-mentioned cases it is the substitute for the alb , which, according to present custom, is worn only at Mass and a few other functions.
View the Source
3. Church Vestments: Their Origin and Development
Herbert Norris, J. M. Dent and Sons, 1949cited for the Learn More articles on this page
The Shape of the Liturgy
Gregory Dix, Dacre Press, 1945cited for the Learn More articles on this pageView the Source
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