Avestan I 𐬌

The sound is a short close front i, the tongue high and forward and the lips spread. It is the vowel of English machine, cut short. Every vowel in this alphabet is a letter in its own right, standing on the line and taking its turn between the consonants. That is not how the writing it grew out of worked, where a reader supplied much of the vowelling from knowledge of the word, and it is not how the Indic scripts of the same centuries worked either, where vowels hung as marks above and below a consonant sign. Avestan writes them out. It stands thirteenth in the alphabet as a whole and thirteenth of the sixteen vowel letters, between Avestan Oo and Avestan Ii.

The order is the work of the people who devised the alphabet rather than an inheritance from anywhere, and reading the list straight through recovers the analysis they were working from. The Avestan alphabet was made for one text. That is unusual, and it explains a repertoire far larger than the languages around it needed. A script serving letters, accounts and contracts can afford to let two sounds share a shape, because context recovers the sense. A script serving a recitation cannot, because there the sound is the thing being preserved. Fifty-four letters is a large inventory by any standard and larger than any script in use around it. The number is less a measure of the language's complexity than of how much of the recitation the compilers decided the page ought to carry.

The Indic scripts of the same centuries wrote this vowel as a mark attached to a consonant. Avestan writes it as a letter on the line. Both solutions preserve the sound; only one of them treats the vowel as a thing in its own right. A script made in the Sasanian period for a text composed a thousand years and more earlier is an act of preservation rather than of composition. Nothing was being written down for the first time. What was being done was the fixing, in a form that would not drift, of something priests already held in memory. The script was put to a second use as well.

Pazand is Middle Persian written in Avestan letters, taken up precisely because those letters record vowels and the Pahlavi ones did not, and it is the clearest practical demonstration of what the alphabet was good for. In the digital record the letter is encoded at U+10B0C AVESTAN LETTER I. The whole Avestan block lies above the Basic Multilingual Plane, so each character needs a surrogate pair in the encodings that use them, and a font carrying the script is required before anything appears on a screen at all. Zoroastrianism is a living religion with a small community, and the Avesta is its liturgy rather than its archive. The letters of this alphabet are therefore not an antiquarian matter. They record sounds a priest is still expected to produce.