Alphabet Letters
Avestan She 𐬱
Avestan Letters
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Origin Devised in the Sasanian period, commonly placed in the fifth or sixth century CE, long after the Avestan texts themselves were composed.
She writes a voiceless palato-alveolar sibilant, the sound English spells sh, made further back than Se with the tongue drawn towards the hard palate. It is one of four sh-type signs in the alphabet, a division of that one sound into shades that no neighbouring script attempted. The Avestan texts distinguish them and the manuscripts keep them apart consistently. Zoroastrianism is a small living religion and the Avesta is its liturgy, recited in worship now. These letters are not an antiquarian matter; they record sounds a priest is still expected to produce. The script served a priesthood that already knew the text by heart. It was not made to teach the Avesta to anyone, but to hold a recitation steady against the drift that oral transmission cannot avoid.
Facts
Identity
Script TypeAn alphabet in the strict sense: its vowels are full letters standing in the line, not marks hung on a consonant, which is the sharpest break it makes with the Book Pahlavi writing it was drawn from. 1Tradition: The Avestan script PositionThirty-fourth of the thirty-eight consonant letters of the Avestan alphabet, which are ordered by where in the mouth the sound is made 2Tradition: The Avestan script How the Letter JoinsWritten right to left, with each sound kept to its own distinct sign. The Book Pahlavi hand behind it had let several sounds fall together into shared shapes, and undoing that ambiguity is what the Avestan alphabet was made for. 1Tradition: The Avestan script Attributions
Associated SoundVoiceless palato-alveolar sibilant, the sound English spells sh 1Tradition: Avestan phonology Origins
Origin PeriodDevised in the Sasanian period, commonly placed in the fifth or sixth century CE, long after the Avestan texts themselves were composed. 1Tradition: The Avestan script Place of OriginSasanian Iran, where the Zoroastrian priesthood assembled the written Avesta. 1Tradition: The Avestan script Origin of the NameNamed directly for the voiceless palato-alveolar sibilant it writes, she, following the same convention rather than an inherited word. 1 Sense of the Namethe sound sh 1Tradition: The Avestan script Transmission
Manuscript TraditionNo Avestan manuscript survives from earlier than the thirteenth century CE, so every witness to the script is many centuries younger than the script itself, and the script is younger again than the words it carries. 4Tradition: Zoroastrianism Practice
Liturgical and Scriptural RoleThe script exists to fix the sound of the Avesta, which is recited in Zoroastrian worship, a living practice with a small community. Its precision serves the requirement that the recited word be pronounced as it has been received. 3Tradition: Zoroastrianism Attestation
Meaning in the Attesting SourceEncoded at U+10B31 AVESTAN LETTER SHE in the Avestan block, which lies wholly above the Basic Multilingual Plane. 2Tradition: The Avestan script Meaning in the Attesting SourceThe Avesta was transmitted orally by priests for centuries before any script existed to hold it. This alphabet records a recitation, not a composition, and the gap between the two is the central fact about it. 4Tradition: Zoroastrianism Learn More
Avestan She: The Letter in the Avestan Alphabet
The sound is a voiceless palato-alveolar sibilant, which English spells sh. The tongue is drawn a little further back than for s and the channel it makes is wider. Six sibilant letters is the alphabet's most conspicuous extravagance and its best argument. Four of the six write sounds in the sh region that most writing systems gather under a single sign, and the manuscripts are consistent about which of the four a given word takes. It stands fiftieth in the alphabet as a whole and thirty-fourth of the thirty-eight consonants, between Avestan Ze and Avestan Zhe. That position is not arbitrary. The sequence follows a scheme, vowels before consonants and consonants by place of articulation, and each letter's place in it is a statement about the sound.
Zoroastrian worship treats the correct sounding of the Avesta as part of the act itself. A priest is expected to produce the words as they have been received, and a sign that could stand for either of two sounds would put that in doubt. The size of this letter list follows from the requirement and not from any love of complication. One sign to one sound is the rule this alphabet works to, and it is easier to state than to keep. Most scripts break it somewhere, usually where a sound is rare enough that no scribe could be bothered, and the interest of this one lies in how few exceptions it allows itself.
Avestan She and the Four Sh Signs
This is the first of four sh type signs, and the group is the strongest single piece of evidence for how fine a distinction the script was built to carry. Most writing systems make do with one. Vowel writing is the innovation that separates this alphabet from everything else written in Iran at the time. The letterforms are Pahlavi and the right to left direction is Pahlavi. The vowels are not: they are full letters, and they come first in the order.
No Avestan manuscript survives from earlier than the thirteenth century of the common era. Every copy in existence is therefore many centuries younger than the alphabet, and the alphabet is many centuries younger again than the words. What reaches a modern edition has passed through both gaps. In the digital record the letter is encoded at U+10B31 AVESTAN LETTER SHE. The Avestan block sits wholly in the supplementary planes, and every letter in it takes four bytes in the encoding most of the web runs on. That is the practical reason Avestan text is still uncommon online, and why a page carrying it depends on the reader having a font that covers the range. What this alphabet holds is a performance. The atlas describes it and does not instruct in it: the recitation belongs to the community that maintains it, and the interest here is in what the script was built to do and how well it did it.
Cross-Tradition Connections
Related To
The plain s and the sh, the tongue drawn a little further back for the second and the channel it makes a little wider.
The plain sh and its palatalised counterpart, the third of the alphabet's four sh signs.
The plain sh and the fourth sh sign, which the manuscripts keep apart from the other three.
The fourth sh-type sign and the plain sh it is one of four shades of; all four are kept apart in the manuscripts.
The voiceless and voiced palato-alveolar sibilants, the sounds English writes sh and the s of measure.
The voiced and voiceless palato-alveolar sibilants, the sounds English writes with the s of measure and with sh.
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