Alphabet Letters
Dad ض
Arabic Letters
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Origin Arabic-language inscriptions in the script are attested from the fourth to the sixth century CE
Dad is the fifteenth letter of the modern Arabic order and one of the six letters Arabic added to the sequence it inherited, which places it among the six appended to the end of the abjad order with the numeral value eight hundred. It is the sad skeleton, a long flat loop running into a shallow bowl, carrying a single dot above, and it joins on both sides. Dad is a sun letter and one of the four emphatic consonants. Arabic is traditionally called the language of dad, on the grounds that the sound is rare among the languages of the world, and the letter is the commonest emblem of Arabic linguistic identity. As one of the added letters it has no inherited Northwest Semitic name.
Facts
Origins
Origin PeriodArabic-language inscriptions in the script are attested from the fourth to the sixth century CE 1Tradition: The Arabic script Origin PeriodConsonantal pointing and then vowel marking were added to the bare skeleton in the first two centuries of Islam 2Tradition: The Arabic script Place of OriginNorthern Arabia and the Levant, from the cursive Nabataean form of the Aramaic script 3Tradition: The Arabic script Origin of the NameThe names of the twenty-two inherited letters are Northwest Semitic words, and are not ordinary Arabic words 1Tradition: The Arabic script Origin of the NameThe six letters Arabic added to the inherited sequence have no Northwest Semitic name behind them 1Tradition: The Arabic script Sense of the NameNo name-sense is attested for Dad: as one of the six letters Arabic added to the inherited sequence it has no inherited Northwest Semitic name; Arabic is traditionally called the language of dad for the rarity of its sound, not for any meaning carried by the letter's own name. 1 Attestation
Meaning in the Attesting SourceA sun letter: the lam of the definite article assimilates to it in speech 1Tradition: Arabic grammar Meaning in the Attesting SourceAbjad numeral value 800 in the eastern reckoning 4Tradition: Hisab al-jummal, the abjad numerals Meaning in the Attesting SourceArabic is called the language of dad, after this letter 4Tradition: Arabic grammar Meaning in the Attesting SourceCalligraphy became the central sacred art of the Islamic world, and the hands are regional and dated 5Tradition: Islamic calligraphy Meaning in the Attesting SourceThe eastern and western reckonings of the abjad numerals assign several letters different values 4Tradition: Hisab al-jummal, the abjad numerals Meaning in the Attesting SourceTwo orders are in simultaneous use: hija'i, arranged by shape, and abjad, the inherited Semitic sequence 1Tradition: The Arabic script Contested Use
Contested or Appropriated Modern UseModern numerology sums abjad values to date events and to find hidden meanings in texts 6 Contested or Appropriated Modern UseSo many sums are available that a match can be produced for almost any target 6 Identity
Script TypeAn abjad: the twenty-eight letters record consonants and the long vowels, with short vowels marked optionally 1Tradition: The Arabic script PositionFifteenth of twenty-eight in the hija'i order, and among the six letters appended to the abjad order 1Tradition: The Arabic script How the Letter JoinsJoins on both sides, and loses its bowl initially and medially 1Tradition: The Arabic script Attributions
Associated SoundEmphatic (pharyngealized) d, the sound behind Arabic's traditional epithet "the language of dad," among the rarer consonants in the world's languages 1 Disputed
Meaning in the Attesting SourceThe value the letter had in early Arabic is reconstructed differently by different scholars 4Tradition: Comparative Semitic phonology Sibawayh describes an articulation at the side of the tongue that later readers have taken to indicate a lateral sound rather than the emphatic d of modern standard pronunciation. The grammatical descriptions, the treatment of loanwords in Spanish, Persian, Turkish, Malay and Hausa, some peripheral Arabian dialects and the recitation manuals do not all point the same way, and reconstructions differ. The camps are real. That the sound changed is not in dispute. Learn More
Dad: The Fifteenth Letter of the Arabic Script
Dad is the fifteenth letter of the modern Arabic order, written as the sad skeleton with a single dot above: a long flat loop running into a shallow bowl that drops below the line. It joins on both sides and keeps the loop alone at the beginning and in the middle of a word. It is one of the four emphatic consonants, made with the back of the tongue raised toward the soft palate, and the emphasis colours the vowels on either side of it. It is a sun letter, so the lam of the definite article assimilates to it in speech.
Like tha, kha, dhal, za and ghayn, dad is one of the six letters Arabic added to the twenty-two letter sequence it inherited, and its position records that. In the modern order, arranged by shape, it stands beside the sad it is built from. In the older abjad order it is among the six appended after the inherited letters, where it carries the numeral value eight hundred. It has no Northwest Semitic name behind it and no cognate letter in Hebrew, Syriac or Samaritan whose name may be set beside it.
No letter carries more identity than this one. Arabic is called the language of dad, and Arabic speakers are called the people of dad, on the understanding that the sound is unusual among the languages of the world and that mastering it marks a speaker. The phrase is old, it is still current, and it is used as often in cultural argument as in linguistic description.
The Sound That Dad Used to Make
The claim that dad is unique to Arabic rests on what the letter sounds like, and what it sounded like when the claim was first made is not the same as what it sounds like now. In modern standard pronunciation dad is an emphatic d, articulated like dal with the back of the tongue raised. That is not the sound the early grammarians describe.
Sibawayh, the eighth century grammarian whose account of Arabic phonetics is the earliest systematic one to survive, places dad at the side of the tongue against the molars and describes an articulation that later readers have taken to mean a lateral sound, something closer to a sideways emphatic l than to a d. Several lines of evidence have been brought to bear: the descriptions in the grammatical tradition, the way Arabic words containing dad were borrowed into Spanish, Persian, Turkish, Malay and Hausa, the pronunciation preserved in some peripheral dialects of southern Arabia, and the treatment of the letter in the recitation manuals. They do not all point the same way, and reconstructions of the original value differ.
This is a genuine scholarly disagreement rather than a gap: the evidence is public, several reconstructions have been argued at length, and specialists still hold different positions. The atlas records that the disagreement exists and does not choose between the readings. What is not in dispute is that the sound changed, that the change happened early enough for the recitation tradition to have carried the older value for a time, and that the identity claim attached to the letter outlived the sound that prompted it.
Cross-Tradition Connections
Derived From
Dad is sad with a dot above. It is one of the six rawadif, carries the abjad value eight hundred, and gave Arabic the epithet by which it names itself, the language of dad.
Related To
Dad is the sad skeleton, a long flat loop running into a shallow bowl, carrying a single dot above; the two letters are one skeleton distinguished only by that dot.
Arabic dad and Ge'ez sappa both keep the emphatic lateral sibilant that Hebrew and Syriac merged into their single emphatic s. Arabic speakers call their language the language of the dad after this consonant.
Sources
1. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source 2. Qurans of the Umayyads: A First Overview
3. The Religion of the Nabataeans: A Conspectus
4. The Encyclopaedia of Islam, 2nd edition
P. Bearman, Th. Bianquis, C. E. Bosworth, E. van Donzel and W. P. Heinrichs (eds.), Brill, 2005View the Source 5. Islamic Calligraphy
6. Numerology: Or, What Pythagoras Wrought
Underwood Dudley, Mathematical Association of America (Spectrum series), 1997View the Source Reader Challenges (0 open reader challenges)
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