Divinity Atlas

Sacred Correspondences
Alphabet Letters

Tibetan Ra ར

Tibetan Letters

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Origin Devised in the seventh century CE, in the reign of Songtsen Gampo, on the model of an Indian Brahmi-derived script

Ra is the twenty-fifth of the thirty consonants and opens the seventh line. It writes an alveolar trill or tap and carries more structural work than any other letter in the script: it is one of the three superscripts, one of the four subscripts, and one of the ten suffixes, so it can appear above, below, after and as the root of a syllable. Written above a root letter it takes a shortened form, and Unicode encodes a separate fixed-form ra for the cases where the ordinary shape must be prevented from combining. In modern Lhasa speech a superscript ra is silent and its effect on the syllable is carried by tone.

Facts
Origins
Origin Period
Devised in the seventh century CE, in the reign of Songtsen Gampo, on the model of an Indian Brahmi-derived script 3Tradition: The Tibetan imperial period
Place of Origin
Tibet, at the imperial court of Songtsen Gampo, modeled on an Indian Brahmi-derived script encountered through contact with India 3
Origin of the Name
The letter has no name beyond its own sound, unlike the Semitic alphabets where each letter is named for a word, matching the already-live convention on Ka (856), the first of the thirty. 2
Sense of the Name
The syllable ra itself, the alveolar trill or tap that opens the seventh line. 2
Identity
Script Type
Consonant sign of an abugida; it carries the inherent vowel a unless a vowel sign is written above or below it 1Tradition: Brahmic writing
Position
Twenty-fifth of the thirty consonants, opening the seventh line 2Tradition: The Tibetan alphabet
How the Letter Joins
One of the three superscripts, one of the four subscripts and one of the ten suffixes, as well as a root letter 2Tradition: Tibetan orthography
Attributions
Associated Sound
Alveolar trill or tap; silent as a superscript in modern Lhasa speech, where its effect is carried by tone 2Tradition: Classical Tibetan and modern Lhasa pronunciation
Attestation
Meaning in the Attesting Source
Ra carries more structural work than any other letter in the script, appearing as one of the three superscripts, one of the four subscripts and one of the ten suffixes, so it can stand above, below, after and as the root of a syllable. 2
Learn More
Ra: Above, Below, After and at the Root

Ra is the twenty-fifth of the thirty consonants and opens the seventh line. It writes an alveolar trill or tap, and it carries more structural work than any other letter in the script.

Ra is one of the three superscripts, one of the four subscripts, and one of the ten suffixes. It can therefore appear above a root letter, below one, after one, or as the root itself, and a reader has to determine which before the syllable can be read. No other letter occupies four positions.

Written above a root letter it takes a shortened form, and in modern Lhasa speech it is silent, its former presence carried by the tone of the syllable beneath it. Written below, it alters the consonant above it rather than sounding. Written as a suffix, it closes the syllable and affects the vowel in front of it.

Because the superscript form is shortened, digital text needs a way to prevent the ordinary shape from combining when a plain ra is wanted next to something it would otherwise stack with. Unicode provides a separate fixed-form character for exactly that case, which is a small example of a very old scribal distinction surviving into an encoding standard.

What ra is not is a prefix. The five prefixes are ga, da, ba, ma and the small a, and ra is absent from that list, so of the positions available in a Tibetan syllable it fills every one except the first.

The Three Superscripts

Above the root letter of a Tibetan syllable there may be a superscript, the mgo can or head letter, and three letters may take that position: ra, la and sa. No others.

All three are silent in modern Lhasa speech. What they do instead is set the tone: a syllable with a superscript is spoken high, even where the root letter would otherwise be low, so the head letter has become a pitch mark on a syllable rather than a consonant in it. In the classical language it is understood to have been pronounced, as part of an initial cluster, and clusters of this kind survive in Amdo speech today.

Two of the three change shape in the position. Superscript ra is written in a shortened form, and superscript la and sa are adapted to sit above the letter they govern. The stack is compact by design, because it has to be read as one unit and fit between two tsheg dots.

Which roots take which superscript is a property of the word and is learnt with it, not derived from a rule. That is the same situation as with the prefixes, and the two together are the reason a Tibetan word cannot be spelled from its pronunciation even by a native speaker who reads fluently. Spelling has to be known, and Tibetan schooling accordingly gives it a great deal of attention.

Cross-Tradition Connections

Derived From

Tibetan ra continues the Brahmi ra, keeping its value and its place in the inherited order. The descent of the Tibetan script from the Brahmi family is not disputed; which Indic script of that family served as the immediate model in the seventh century is, and this link names the ancestor the atlas holds rather than choosing among the candidates.

Related To

Ra answers to Brahmi Ra, the same alveolar trill or tap.

Source The World's Writing SystemsPeter T. Daniels and William Bright (eds.)
Sources
1. The Unicode Standard
The Unicode Consortium, The Unicode ConsortiumView the Source
2. The World's Writing Systems
Peter T. Daniels and William Bright (eds.), Oxford University Press, 1996View the Source
3. Tibet: A History
Sam van Schaik, Yale University Press, 2011View the Source
Indian Epigraphy: A Guide to the Study of Inscriptions in Sanskrit, Prakrit, and the Other Indo-Aryan Languages
Richard Salomon, Oxford University Press, 1998View the Source
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