Animals & Totems
Dragonfly
Invertebrates
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Origin 1980 to 2000
Dragonflies are odonates, an ancient order whose extinct relatives include the largest flying insects that have ever existed, and they spend most of their lives as aquatic nymphs before a brief winged adulthood, the natural fact behind most of their symbolism of thresholds. They are among the most effective aerial predators known, taking a very high proportion of the prey they pursue. In Japan the dragonfly is genuinely old as an emblem: an archaic name for the country is Akitsushima, the dragonfly islands, and Sengoku warriors used the insect as a victory motif because it does not fly backwards. English folk names are darker, devil's darning needle, horse-stinger, and reflect a fear with no basis; dragonflies do not sting.
Facts
Disputed
Contested or Appropriated Modern UseThe words spirit animal and totem are used in popular Western practice for a personal animal ally. Native scholars and communities object to both usages, on the ground that they take the vocabulary and the authority of particular Indigenous traditions and apply them to a generic and commercial practice. 3 Suzanne Owen's The Appropriation of Native American Spirituality (Continuum, 2008) documents the objection Indigenous communities in North America raise, ongoing and in the present tense, against the commercial "spirit animal" genre. Owen's study examines how the practice borrows specific Indigenous terms and claimed lineages, presenting them as licensing a service sold to outside customers, and sets that use against the communities' own accounts of what those terms and practices mean within their traditions. What is disputed, on Owen's reading, is not that people generally feel a kinship with animals, a widely attested feeling that belongs to no one tradition, but the specific commercial borrowing of Indigenous vocabulary and claimed authority. The atlas records the animal, records that the modern commercial practice exists, and records that this documented objection is made, without adjudicating between the parties. Identity
Creature Type Origins
Origin Period1980 to 2000 1Tradition: Modern Western esotericism Attributions
Mythic AssociationSengoku period warriors adopted the dragonfly as a victory motif because, unlike most flying insects, it does not fly backward. 2 Correspondences
Element Correspondence Meaning
Symbolic MeaningAn archaic name for Japan, Akitsushima, means the dragonfly islands, reflecting the insect's long standing as a national emblem. 2 Learn More
The Insect of the Victorious Warrior
The dragonfly, a swift predatory insect of ponds and streams that spends its youth underwater before emerging to fly, carries its richest symbolism in Japan. An ancient poetic name for Japan itself was Akitsushima, the Island of the Dragonfly, and the insect, called in one old form akitsu, was an auspicious sign of the ripening rice and the harvest. The samurai prized it as the katsumushi, the victory insect, because the dragonfly darts forward and, it was said, never retreats; its image was worked into helmets, sword-fittings and armour as an emblem of courage and of never turning back in battle.
Something genuinely strange underlies part of the dragonfly's old reputation for uncanny speed: its compound eyes, among the largest and most acute of any insect, contain up to thirty thousand individual facets each and give it nearly a full sphere of vision, and its four wings move independently of one another, letting it hover, reverse and change direction with a precision that modern drone engineers have specifically studied as a model for small aerial vehicles. Species-level, the dragonfly's reputation for tireless flight is best earned by the globe skimmer, Pantala flavescens, which undertakes the longest known insect migration, crossing the Indian Ocean between India and East Africa, a multi-generational relay of several thousand kilometres that dwarfs the more modest ranges of the dragonflies native to Japan's own ponds and streams.
Water, Transformation, and the Devil's Darning Needle
The dragonfly's life-cycle, an aquatic nymph that climbs from the water and transforms into a creature of the air, made it, in several traditions, an emblem of change, of the summer and of the boundary between water and sky. Among peoples of the American Southwest the dragonfly is a water-symbol associated with pure water and painted on pottery, a motif belonging to those living cultures and described here from the outside. European folklore was warier: names such as the devil's darning needle and the horse-stinger cast it as sinister, with tales that it would sew up the lips of the wicked. Auspicious harvest-sign, warrior's emblem and water-spirit in one place, a devil's creature in another, the dragonfly is read very differently across the world.
European folklore's wariness of the dragonfly had a real practical use in one corner of the record: nineteenth-century English naturalists noted country people using its presence over water as an informal sign of a stream's health, since dragonfly nymphs are sensitive to pollution and vanish from fouled water long before other visible change appears, an observation modern ecologists have since formalised, dragonflies now serving as a recognised bioindicator species used to assess freshwater quality in surveys worldwide.
Cross-Tradition Connections
Attested in Region
Japan, Regions Akitsushima, the dragonfly islands, is an old name for Japan itself.
Water, swiftness and the coming of rain in Southwestern iconography.
Disciplines That Use This
One of the animal spirits gathered under this discipline. Where a tradition restricts this material, the restriction is recorded on the tradition itself rather than repeated for each animal.
Sources
1. Shamans and Religion: An Anthropological Exploration in Critical Thinking
Alice Beck Kehoe, Waveland Press, 2000ch. on core shamanism and its commercial forms
2. Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005s.v. Japan; the dragonfly as auspicious and warrior emblemView the Source 2. Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005s.v. insect symbolism; water and transformationView the Source 3. The Appropriation of Native American Spirituality
Suzanne Owen, Continuum, 2008ch. on the marketing of Native spirituality
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