Ash-Shuara ('The Poets'), 227 Meccan verses, strings together the stories of Moses, Abraham, Noah, Hud, Salih, Lot and Shuayb, each with the refrain that they asked no reward and were called liars. It ends distinguishing the inspired Prophet from the wandering poets 'whom the deluded follow' (26:224).
The refrain that recurs through Ash-Shuara's prophetic narratives, each messenger opening with 'will you not fear God' and closing with the insistence that he asks no reward and that the people should fear God and obey him, gives the surah a liturgical, almost musical structure that classical reciters and commentators alike single out for its rhetorical power, the repetition itself becoming part of the argument that every prophet faced the identical objection and gave the identical answer. Moses' contest with Pharaoh's magicians (26:38-51), in which the magicians fall into immediate prostration upon recognising that Moses' staff performs what no sorcery could match, is read by al-Qurtubi as significant precisely because it convinces the era's own experts in the relevant craft, sorcery, rather than religious outsiders, a pattern the surah's closing verses extend by distinguishing true revelation from poetry, the connoisseurs of language rather than magic being the implicit witnesses to the Quran's own inimitability. The surah's final rebuke of poets 'who say what they do not do' (26:226) is traditionally read alongside an exempting verse for poets who believe, do good works and defend the faith with verse, a qualification commentators cite to explain why poetry itself was not condemned in early Islam despite the surah's harsh general judgement.