A separate nineteenth century source gives this degree its own picture. Charubel's 1898 sequence, unconnected to the later Sabian material, records a scrawl or flourish of the pen. It falls in the second decan of Taurus (degrees 11 to 20), and is Taurus's eleventh degree. Its decan is ruled by Mercury rather than Venus, which colors the degree with something Taurus does not supply on its own. The term ruler here is also Mercury, so the finer division agrees with the decan rather than adding a separate voice.
The 1925 origin of this degree is well documented: Marc Edmund Jones, working with the clairvoyant Elsie Wheeler in Balboa Park, San Diego, drew all 360 blank cards at random and recorded her impressions as they came. Jones published the set in 1953. The wording generally read today, however, belongs to Dane Rudhyar, who reworked it in 1973 for An Astrological Mandala, a book still under copyright and not quoted here.
Taurus follows Aries by slowing the pace down into something that can be held, built and kept. The point of tracking a degree this closely is not to predict an event but to place it exactly within Taurus's span. Element and quality carry through every degree of Taurus: it is a fixed earth sign, and this degree inherits that basic temperament even as the decan and term add their own note.