Home›Articles›Ananse Ntontan: The Web, Not The SpiderArticlesAnanse Ntontan: The Web, Not The SpiderCitation FormatsGeneral ReferenceGeneral Reference Citation TextDivinity Atlas. "Ananse Ntontan: The Web, Not The Spider." Accessed August 31, 2026. https://www.divinityatlas.com/articles/ananse-ntontan-ananse-ntontan-the-web-not-the-spider.Copy General ReferenceAPA StyleAPA Style Citation TextDivinity Atlas. (n.d.). Ananse Ntontan: The Web, Not The Spider. Retrieved August 31, 2026, from https://www.divinityatlas.com/articles/ananse-ntontan-ananse-ntontan-the-web-not-the-spiderCopy APA StyleBibTeXBibTeX Citation Text@misc{divinityatlas-ananse-ntontan-the-web-not-the-spider, author = {Divinity Atlas}, title = {Ananse Ntontan: The Web, Not The Spider}, year = {2026}, url = {https://www.divinityatlas.com/articles/ananse-ntontan-ananse-ntontan-the-web-not-the-spider}, note = {Accessed August 31, 2026} }Copy BibTeXLearn MoreCross-Tradition ConnectionsSourcesComments (0)Reader Challenges (0 open reader challenges)Learn MoreAnanse Ntontan: The Web, Not The Spider Ananse Ntontan, spider's web, refers to Ananse, the trickster spider of Akan folklore renowned across a large body of oral narrative for cunning and inventive intelligence, and Willis notes the symbol takes the form of his woven web rather than a picture of the spider itself, shifting the design's focus from the character to the product of his characteristic skill, the constructed, intricate structure his cleverness produces. He reads the web's combination of apparent fragility and real structural strength, spun from very little material yet capable of catching prey many times the spider's own size, as itself instructive about resourceful ingenuity, a natural object whose properties directly model the abstract quality the symbol is meant to represent rather than merely illustrating it by loose association. Willis notes carvers render the web with varying numbers of radiating and connecting strands, some quite dense and others sparse, a range of elaboration he attributes to available stamp size and individual style rather than to any difference in which specific Ananse tale, if any, a given rendering is meant to evoke. Willis records this range of elaboration as unremarkable craft variation, the underlying reference to Ananse and his web holding constant regardless of how many strands a given carver includes.Cross-Tradition ConnectionsArticle OnAnanse Ntontan, Adinkra Symbols Well-attested Source Divinity Atlas Long-Form Articles, First Editiontier 1SourcesDivinity Atlas Long-Form Articles, First Editiontier 1Comments (0)No comments yet. Be the first to share a thought.Sign in to join the discussion.Reader Challenges (0 open reader challenges)No disputes yet. Spotted an error or a better source? Open the first one.Sign in to dispute this or suggest a correction.View At A Past YearThe atlas records no dated fact of its own for this entry, so there is no other year to choose.Show This Year