Anantanatha's name is generally understood to carry the sense of endless or infinite, a meaning that sits appropriately within a cosmological system, Jain teaching on time, that describes cycles of such vast duration that ordinary historical chronology has no comparable scale to offer. As the fourteenth Tirthankara in the traditional sequence, Anantanatha is placed within this same framework of immense cyclical time that applies to all the Tirthankaras preceding Parshvanatha and Mahavira, a placement that depends entirely on the internal reckoning of Jain cosmological literature rather than on any evidence historians can independently assess.
The broader pattern across these earlier figures, meaningful names, standard biographical templates, individual emblems, and placement within vast cosmological cycles, applies to Anantanatha as it does to the Tirthankaras discussed alongside him, and scholars of Jainism generally treat this whole layer of the tradition as a coherent theological and cosmological structure worth studying on its own terms, describing how the tradition understands the recurrence of its teaching across time, rather than as a set of claims to be tested against the kind of historical evidence available for the tradition's latest and most concretely attested teacher, Mahavira, or his immediate predecessor Parshvanatha.