Christian ecclesiastical authorities campaigned against Dziady repeatedly over the centuries, treating it as an unacceptable survival of pre-Christian ancestor cult rather than a legitimate expression of Christian remembrance of the dead, and its distinct ritual functions were gradually folded into the church's own All Souls observance and into ordinary cemetery visiting, the general pattern by which the church absorbed rather than simply erased older seasonal practice across much of Europe. Despite that pressure, elements of the older rite are recorded surviving in more distinct form in Belarus, Poland, Lithuania and Ukraine well into the modern period, particularly in rural areas less closely supervised by church authority.
The name and something of the rite's shape reached a much wider audience through Adam Mickiewicz's Romantic era drama Dziady, a major work of Polish literature that draws directly on the folk rite for its material and imagery; the play is a literary composition built from the tradition rather than a firsthand ethnographic record of how the rite was actually performed, a distinction worth keeping clear given how often the two are run together in popular accounts.