Hizb 13 opens Juz 7 and closes Al-Maida entirely before crossing into Al-Anam, so within a single hizb a reciter finishes one sura's closing theological dialogue and begins another sura's opening praise, a pattern this account has already shown at the start of Juz 6 two hizb earlier. The rub al-hizb quarters mark that transition only implicitly, through the change of chapter heading rather than through any distinguishing symbol of their own.
In tarawih recitation this hizb typically opens the seventh night, and because it contains the episode that gives Al-Maida its title, congregations reciting with commentary sometimes pause briefly at that scene even though the hizb and quarter marks themselves carry no instruction to do so, the pacing choice again belonging to the reciter rather than to the division.
Huffaz reviewing this hizb by quarter often find the closing dialogue between God and Jesus the most demanding portion to hold precisely in memory, since its careful, reported speech differs in structure from the narrative and legal material that surrounds it elsewhere in the same hizb.
Because the table episode is brief relative to the theological dialogue that follows it, some reciters slow further at the dialogue itself, treating it as the hizb's real center of gravity even though the sura's own title points toward the shorter scene instead.