Ninkasi's own name is generally understood by Sumerologists to derive from a phrase meaning something like 'the lady who fills the mouth,' a name directly tied to her specific brewing function rather than to a broader cosmic or royal domain of the kind associated with major deities such as Inanna or Shamash, reflecting a Mesopotamian pantheon considerably more extensive and functionally specific than the small set of major deities most general audiences encounter, encompassing many lesser deities each associated with a particular craft, place or aspect of daily life.
The hymn survives on Old Babylonian tablets dating to roughly 1800 BCE, a period several centuries after Enheduanna's Exaltation of Inanna but still considerably earlier than the later first-millennium copies through which some other Mesopotamian religious texts, including the Great Hymn to Shamash, survive in their fullest known form, situating the Ninkasi hymn within the earlier, Old Babylonian phase of Mesopotamian literary and religious production specifically. Its anonymous authorship, typical for the great majority of Mesopotamian religious hymns outside Enheduanna's specifically signed compositions, means nothing is known of the specific individual or scribal context that produced this particular praise of brewing and its patron goddess.