The patched construction itself carries deliberate meaning within Sufi teaching, understood as a visible expression of faqr, spiritual poverty, and of zuhd, renunciation of worldly attachment, since a garment stitched together from mended scraps rather than cut new from whole cloth openly declares that its wearer has set aside concern for material appearance and comfort. Trimingham's account traces variation across different orders and periods in exactly how formal or elaborate the khirqa ceremony became, noting that in some later, more institutionally developed orders the robe and its bestowal took on considerable ceremonial elaboration, while other, more austere lineages kept the rite and the garment itself deliberately plain, consistent with the very renunciation the patchwork was meant to signal in the first place.
The khirqa tradition, centred historically in Iraq and Khurasan among the formative eastern Islamic Sufi orders, spread outward across the wider Islamic world alongside the orders themselves, and versions of the bestowal ceremony, adapted to local custom, continue within living Sufi communities that maintain a formal master to disciple initiation structure today. A disputed or forged claim to have received a particular khirqa was, correspondingly, a serious matter within Sufi communities, since it amounted to a false claim of standing within a specific recognised lineage rather than a minor exaggeration.