The Kirtan Sohila is compiled from five hymns drawn from different sections of the Guru Granth Sahib and composed by different Gurus, meaning it functions as an assembled liturgical unit rather than a single continuous composition by one author, a compositional pattern it shares with the Ardas though the two texts serve quite different purposes. Its opening hymn, calling the assembly to sing praises and marking the day on which the true Guru is to be remembered, sets a communal, gathered tone from its very first words even though the Kirtan Sohila is most often recited today by an individual alone before sleep rather than in an actual assembled congregation, a tension between its original communal framing and its typical private modern use that Sikh commentators have noted without treating as a contradiction, since private recitation is understood as participation in the same ongoing devotional community even when performed alone.
As the shortest of the three daily Nitnem prayers required of observant Sikhs, alongside the considerably longer morning Japji Sahib and the substantial evening Rehras, the Kirtan Sohila's brevity suits its placement at the close of the day, when a shorter act of devotion before sleep is more practical than the fuller liturgical program appropriate to the day's major transitions.