Willis records Mframadan invoked to praise durability under real difficulty rather than untested strength, a use that gives it recorded application to institutions and long-running enterprises as much as to individuals, cloth or commissioned praise poetry marking a business, a family, or a community organization that has survived a genuine crisis, a flood, a period of political instability, or economic hardship, and continued standing afterward. He distinguishes this institutional application from Wawa Aba's more personal, individual-character reading of toughness, noting Mframadan's architectural imagery, a whole structure rather than a single seed, lends itself more naturally to praising a collective or an institution's proven resilience than an individual's.
Willis records Mframadan appearing on commemorative cloth and in praise poetry for churches, trading companies and other organizations that survived a documented period of crisis, a use he treats as a natural extension of the proverb's architectural logic to any collective structure, not only a literal building, that has been tested and has held. Willis treats this institutional reading as a natural, low-friction extension of the design's architectural imagery rather than a strained modern reinterpretation.