Home›Articles›Jewel-Born, of the Five BuddhasArticlesJewel-Born, of the Five BuddhasCitation FormatsGeneral ReferenceGeneral Reference Citation TextDivinity Atlas. "Jewel-Born, of the Five Buddhas." Accessed September 2, 2026. https://www.divinityatlas.com/articles/ratnasambhava-jewel-born-of-the-five-buddhas.Copy General ReferenceAPA StyleAPA Style Citation TextDivinity Atlas. (n.d.). Jewel-Born, of the Five Buddhas. Retrieved September 2, 2026, from https://www.divinityatlas.com/articles/ratnasambhava-jewel-born-of-the-five-buddhasCopy APA StyleBibTeXBibTeX Citation Text@misc{divinityatlas-jewel-born-of-the-five-buddhas, author = {Divinity Atlas}, title = {Jewel-Born, of the Five Buddhas}, year = {2026}, url = {https://www.divinityatlas.com/articles/ratnasambhava-jewel-born-of-the-five-buddhas}, note = {Accessed September 2, 2026} }Copy BibTeXLearn MoreCross-Tradition ConnectionsSourcesComments (0)Reader Challenges (0 open reader challenges)Learn MoreJewel-Born, of the Five Buddhas Ratnasambhava (Jewel-Born) is one of the Five Buddhas, the Dhyani or Wisdom Buddhas, of Vajrayana Buddhism, the scheme in which five celestial Buddhas embody five aspects of enlightenment arranged across a mandala. Ratnasambhava presides over the southern quarter and the Jewel (Ratna) family, is yellow or gold in colour, and is associated with the earth element. The defilement he transmutes is pride, which in his wisdom becomes the wisdom of equality (samata-jnana), the insight that sees all beings and things as equal in their fundamental nature; his emblem is the wish-fulfilling jewel and his characteristic gesture the varada mudra of giving, marking his link with generosity and abundance. He is a figure of meditation and visualization rather than of narrative myth, encountered chiefly in tantric ritual, in the mandala and in art. The scheme of the Five Buddhas in which Ratnasambhava takes his place is set out in the Sarvatathagatatattvasamgraha, an eighth century tantra foundational to the later Yoga and Anuttarayoga classes of Vajrayana practice, where the five figures are arranged as a mandala of transformed afflictions rather than as a historical narrative; because tantric systems assign consorts and positions somewhat differently from text to text, Ratnasambhava's paired dakini is not fixed identically across every lineage, a variability characteristic of tantric literature generally rather than a sign of confusion in any single tradition.Cross-Tradition ConnectionsArticle OnRatnasambhava, Deities Well-attested Source Divinity Atlas Long-Form Articles, First Editiontier 1SourcesDivinity Atlas Long-Form Articles, First Editiontier 1Comments (0)No comments yet. Be the first to share a thought.Sign in to join the discussion.Reader Challenges (0 open reader challenges)No disputes yet. Spotted an error or a better source? Open the first one.Sign in to dispute this or suggest a correction.View At A Past YearThe atlas records no dated fact of its own for this entry, so there is no other year to choose.Show This Year