The tabla holds an unusual place among instruments in this atlas because nothing about its construction or its origin marks it out as religious: it is the primary rhythm instrument of Hindustani classical music generally, played in secular concerts, film scores and private practice with no devotional content at all. Its place here rests entirely on how it is used in specific settings, chiefly Sikh kirtan, the devotional singing of scripture that forms the core of gurdwara worship, where tabla keeps time under the harmonium and the voice, and Hindu bhajan, congregational devotional singing that ranges from temple settings to home gatherings.
In both contexts the instrument itself, its construction and its playing technique, is identical to what a classical or film musician would use; the devotional character comes entirely from the text being sung and the setting it is sung in, not from the drum. This makes tabla a useful test case for how this atlas treats instruments generally: an object earns an entry here through documented religious use, not through any claim that the object is sacred in itself, and tabla's is a genuinely devotional use even though the instrument is shared with entirely secular music.