Ancient Egyptian temple religion had a specific procedure for making a statue capable of housing a god, the Opening of the Mouth, performed on a newly made image with tools including an adze shaped for the purpose, touched to the statue's mouth and eyes while the correct words were spoken over it. The rite was understood to give the image the senses it needed, sight, breath and the ability to receive nourishment, so that daily temple service directed at it afterward was service to something genuinely capable of being present rather than a symbolic gesture toward an absent power. The same rite, in the same basic shape, was performed on mummies during funerary ritual, which shows the underlying doctrine was not specific to temple statues but a general Egyptian claim about what makes a material form able to house a person or a god at all. Modern Kemetic home consecration draws directly on this precedent, treating the ancient rite as the template for what a household shrine's own opening or consecration is meant to accomplish at domestic scale, without the trained priesthood, the workshop production and the state resources the ancient temple version assumed. Practitioners doing this at home are aware they are reconstructing a rite designed for an institution their households cannot replicate, and generally say so rather than presenting the domestic version as equivalent.