The Welsh catalogue's image for this degree is a giant amusing himself with a child's doll. Charubel, the pen name of John Thomas, published a symbol for each of the 360 degrees in 1898, and this one is all disproportion: enormous strength occupied with a small imitation of a person, power at play with something that cannot play back. Read generously, it is gentleness, might choosing a harmless amusement; read darkly, it is the danger native to Leo's scale, other people handled as toys by a strength that means no harm and does it anyway. The doll is the tell, a person-shaped thing with no will of its own, and the degree's question is whether what the strong hand holds is really a doll or only being treated as one.
The tradition Charubel worked in is old. Vettius Valens gave each sign three planetary faces in the second century, Ptolemy recorded the unequal Egyptian bounds, and the first complete run of degree pictures survives in Johannes Angelus's Astrolabium Planum, printed in 1494. The 1898 book, which also carried Sepharial's translation of La Volasfera, brought the practice to English readers wholesale. Structurally the degree stays in Leo's second decan under Jupiter's expansive face with Saturn holding the term, size and restraint in the same span, the giant and the stillness of the doll. Degree images are consulted where natal or progressed points fall, as a tone rather than a forecast, and this one reads as a caution about scale.