The Goddess speaks in the first person in the Charge of the Goddess, the central liturgical text of Wiccan ritual, already catalogued among this atlas's esoteric texts. Doreen Valiente wrote the widely circulated 1957 prose revision of the Charge, drawing on earlier material Gardner had assembled; that specific wording remains held by the Doreen Valiente Foundation and is gated here for original expression, so this entry describes its existence and authorship rather than quoting or closely paraphrasing it.
In ritual practice the Goddess is invoked especially at the Esbats, the full moon workings distinct from the eight solar sabbats, often through a rite called Drawing Down the Moon in which the High Priestess is understood to become a vessel for the Goddess during the working. As with the Horned God, the specific ritual wording and gesture used by any given coven remain that coven's own practice; what is public and sourced is the shared theological structure, one Goddess addressed across three aspects and invoked chiefly at the full moon.
Coven practice around Drawing Down the Moon also varies: some traditions restrict the invocation to a trained High Priestess working alone, others involve the whole circle in supporting the working through chant or breath, and the intensity of trance reported by different practitioners ranges from a mild sense of inspiration to a fuller possession-like state, a range Hutton discusses without adjudicating which represents authentic practice.