Hospitality offered at the pit belongs to a station whose situation has already run its course. The sixth line's yin stroke occupies an even position, correctly placed, at the top of the upper trigram, the position classical commentary generally treats as spent or passing rather than active. That reading fits Hexagram 5 exactly: line six is past the danger rather than within it, waiting completed rather than waiting still underway, which is why its image turns to hospitality instead of further caution.
When this line changes, Kan's top stroke becomes firm, turning the upper trigram into Xun, the gentle and penetrating wind, while Qian remains fixed below. The resulting hexagram is Number 9, Small Taming, wind over heaven, an image of a great force gently restrained by something as slight as a small accumulating cloud, its Judgment noting dense clouds without rain, a condition still gathering rather than yet spent. That the hexagram's final image of guests welcomed at the pit should transform into a figure about restraint not yet released closes Waiting on a fitting note: even after the trial has passed and its reward has been received, the discipline of not forcing matters before their proper time remains the lesson the hexagram leaves behind.