Charubel's image for this degree reaches straight into Greek myth: a man, like the fabled Sisyphus, rolling a stone up a hill, but who never gains the top. John Thomas, the Welsh astrologer publishing as Charubel in 1898, rarely names his sources, and this explicit nod to the underworld's most famous labourer is unusual in his catalogue. The picture needs little forcing: effort renewed forever, the summit structurally out of reach, work that defines the worker precisely because it cannot be finished.
Set into the twentieth degree of Leo it reads as a caution laid against the sign's confidence, the will discovering a task that does not yield to magnificence, and it can equally be read with the myth's modern dignity, the labour itself as the meaning when completion is withheld. The degree's older structure is gentler than its image. It closes Jupiter's second decan of Leo, with the Egyptian term passing at nineteen to Mercury, and those attributions descend from systems that pictured nothing: Vettius Valens assigned each sign three planetary faces in the second century, and Ptolemy's Tetrabiblos preserved the unequal bounds. The first complete run of actual degree pictures survives in Johannes Angelus's Astrolabium Planum of 1494, so the Welsh book is a late renewal of an old form. Where a natal placement, progression or synastry point falls on this degree, the symbol is read as characterisation, and this one asks what a person keeps pushing uphill and why.