Divinity Atlas

Sacred Correspondences
Deities

Pomba Gira

Afro-Brazilian Deities

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Pomba Gira is the female counterpart of Exu in Umbanda and Quimbanda, a class of spirits rather than a single figure, whose name derives from the Kongo Bombo Njila, a title of the crossroads spirit. She is imagined as a woman of the night, sensual, laughing, independent and worldly, associated with sexuality, love, women's power and the settling of romantic and domestic accounts. She is approached above all in matters of love, marriage and desire, and by many women and by gay and transgender devotees who find in her a figure of protection and of refusal to be shamed. Like Exu she arrives in possession forthright and unabashed, and like Exu she is demonised by her opponents as a spirit of prostitution or of the devil, a reading the tradition rejects as a moral panic about female and sexual autonomy. Her colours are red and black and she is offered roses, champagne and cigarettes.

Facts
Function
Domain / Function
Love and desire 1
Domain / Function
Protection and guardianship 1
Attributions
Mythic Association
The best known individual Pomba Gira, Maria Padilha, is popularly said to trace her name and legend to Maria de Padilla, the historical mistress of the fourteenth century Castilian king Pedro the Cruel, a folk genealogy widely repeated in devotional literature though not treated by scholars as literal history. 1
Identity
Gender
Female 1
Belief
Theology
Henotheistic: a supreme being above served lesser divinities 1
Theology
Ancestor-centred 1
Origins
Origin of the Name
The name Pomba Gira derives from the Kongo title Bombo Njila, a name for the crossroads spirit carried into Brazilian Umbanda and Quimbanda. 1
Attestation
Veneration Today
Actively venerated in a living tradition 1
Historicity
Not a historical person: a divine or other-than-human being 1
Cult
Attributes and Iconography
Pomba Gira's colours are red and black, and she is offered roses, champagne and cigarettes in keeping with her worldly, nocturnal character. 1
Learn More
The Woman at the Crossroads

Pomba Gira is a powerful class of feminine spirits in the Brazilian religions of Umbanda and Quimbanda, the female counterpart to Exu, with whom she shares the crossroads, the streets and the night. Like Exu, she is not a single deity but a whole family of intermediary spirits who work close to the human world and its everyday concerns. Her name carries her nature: it is generally traced to a Central African (Kongo/Kimbundu) phrase for the crossroads, forms such as Bombo Njila or pambu njila, by way of the Kongo name Bombonjira for the trickster and crossroads spirit, reworked in Brazil into "Pomba Gira." She is thus, at root, a spirit of the threshold and the meeting of ways, an opener of paths and a messenger between worlds, and she is turned to above all in matters of love, sexuality, marriage, money and the tangled business of human relationships. She is imagined as a woman of striking sensual power, often in red and black, laughing, dancing, smoking, fond of perfume, roses and drink, confident, worldly and entirely unashamed.

A Maligned Spirit, Read More Honestly

Two persistent distortions attach to Pomba Gira, and both should be named. The first, inherited from hostile Christian observers, identifies her, like Exu, with the devil, because she is dark and red, keeps company with the dead and the crossroads, and refuses respectability. This is the same mistaken framing that has long been imposed on the Afro-Atlantic crossroads spirits, and the traditions themselves reject it: Pomba Gira is not a figure of evil but a morally complex intermediary who can help or harm and who deals frankly in the real business of life. The second distortion is reductive rather than hostile: because many Pomba Giras are understood as the spirits of women who lived at the margins of a respectable Catholic society, among them women who worked as prostitutes, she is sometimes dismissed as merely a "spirit of prostitutes."

Scholars and practitioners read her more seriously than that. Precisely because she speaks for women whom society condemned and cast out, Pomba Gira has become, for many of her devotees, women especially, a figure of feminine power, autonomy and defiance, one who stands outside and against the constraints of patriarchal and respectable morality and who is invoked for confidence, protection and control over one's own life and desires.

Umbanda and Quimbanda are living Brazilian religions with many millions of adherents, and Pomba Gira is among their most sought-after and most misunderstood spirits, the woman at the crossroads, too often maligned as a devil or dismissed as a harlot, and better understood as a fierce intercessor for those the respectable world refused.

Correspondences & Relations

Archetypes

Pantheons

Cross-Tradition Connections

Offerings

Related To

Crossroads, Doctrines

Pomba Gira, the crossroads spirit of Quimbanda, described in the first article on this page.

Worshipped In

Quimbanda, Religions
Umbanda, Religions
Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)
Sources
1. Holy Harlots: Femininity, Sexuality, and Black Magic in Brazil
Kelly E. Hayes, University of California Press, 2011
Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomble
J. Lorand Matory, Princeton University Press, 2005On Pomba Gira in Afro-Brazilian religion, her Kongo name, and her place among women devoteesView the Source
Flash of the Spirit: African and Afro-American Art and Philosophy
Robert Farris Thompson, Random House, 1983On Exu/Pomba Gira and the crossroads in the Afro-Atlantic traditionView the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
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