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Hoodoo

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Origin from 1800

Hoodoo, also called rootwork or conjure, is an African American tradition of folk magic that blends West and Central African practices with elements of Christianity, Native American plant lore, and European folk magic. Its practitioners work with roots, herbs, minerals, candles, oils, and personal items, often alongside prayer and the Psalms, to heal, protect, draw luck and love, or cross an enemy. It is a practical craft rather than a religion, focused on gaining results in daily life through the hidden powers of nature and spirit. Knowledge is passed down through family and community and through the worker who serves clients.

Facts
Origins
Origin Period
from 1800 1Tradition: African American conjure
Place of Origin
North America 1
Place of Origin
Spread north with the Great Migration of African Americans 1
Cultural Restriction
Restricted Tradition
Hoodoo, African American conjure, is a living tradition whose working knowledge is transmitted within families and communities rather than published. The atlas describes its practice and history without setting out how it is performed. 2
Status
Status Today
Living tradition, practised today 1
Learn More
African American Rootwork and Conjure

Hoodoo, also called rootwork or conjure, is an African American tradition of folk magic that took shape among enslaved and later free Black communities in the American South, blending West and Central African spiritual practices with elements of Christianity (especially the Bible and the Psalms), Native American plant knowledge, and European folk magic. It is important to distinguish it from Vodou and Santeria: hoodoo is a system of practical folk magic rather than an organized religion with a pantheon of deities, most practitioners are and have been Protestant Christians who understand their work as operating within a Christian framework, using the power of God, the saints, and scripture. Its practitioners (rootworkers, conjure doctors, "two-headed" doctors) work chiefly with the materials of the natural and domestic world: roots, herbs, minerals, animal parts, graveyard dirt, candles, and personal items, made up into "mojo bags," "gris-gris," dressed candles, powders, and washes to achieve concrete ends, healing, protection, luck in love, money, gambling, or legal trouble, and sometimes to cross or uncross an enemy.

Rich in its use of biblical text as incantation and shaped by the specific historical experience of African Americans, hoodoo preserved African spiritual sensibilities under conditions of enslavement and oppression, and it remains a living tradition, with a documented history in the great folklore collections of the twentieth century and a continuing practice today.

Hyatt's Interviews, and What Hoodoo Is Not

The single largest source for this tradition is a collection of interviews. Harry Middleton Hyatt recorded thousands of hours with practitioners and clients across the American South from the 1930s onward and published the transcripts at enormous length, largely unedited. The result is a record in the speakers' own words of what was done, what it cost and who did it, and it remains the foundation of serious study of the practice.

The distinction that most needs making is between hoodoo and the religions it is often confused with. Hoodoo is a body of practical workings: protection, luck, love, court cases, healing, and the undoing of harm done by others. It has no pantheon, no initiation and no priesthood, and the great majority of its practitioners have been Christians who saw no conflict, using psalms and biblical verses as working material. Vodou in Haiti and Vodun in West Africa are religions, with deities, initiated priesthoods and liturgies. Conflating them is both inaccurate and, in the popular press, usually pejorative.

Its sources are African, Native American and European in mixture, with a substantial layer drawn from the Bible, and it was shaped by the conditions of slavery and its aftermath, in which recourse to law and medicine was frequently unavailable.

By the early twentieth century a supply trade had grown around it, with mail-order houses selling oils, powders and roots to a national market. Some of that trade was run by people outside the communities that used it.

Cross-Tradition Connections

Associated With

The characteristic charm of Hoodoo, made and fixed for a stated purpose and understood to work through the powers of its ingredients and through prayer rather than through any deity. It is folk magic and not the instrument of an initiatory religion.

Belongs to Tradition

Hoodoo works with the Bible as a magical text, the Psalms read for specific purposes and prayer said over roots, candles and oils, and most of its practitioners have been churchgoing Protestants. No Christian body endorses it, and it is a folk craft rather than a religion.

Objects and Practices of This Tradition

Gris-gris is a general term for a conjure charm in Louisiana Voodoo and Hoodoo as well as an amulet of West African Islam. The graph carried only the Islamic side.

Source Hoodoo-Conjuration-Witchcraft-RootworkHarry Middleton Hyatt

The practice is central to hoodoo and rootwork, where recipes are extensively documented in the collected folklore literature.

Source Encyclopaedia Britannica (online academic reference)Encyclopaedia Britannica editors

Related To

Works With

Garlic, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Iboga, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Kava, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Mandrake, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Onion, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Solomons Seal, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Valerian, Plants

Rootwork is the tradition's own name for itself, and the roots are the material.

Sources
1. Black Magic: Religion and the African American Conjuring Tradition
Yvonne P. Chireau, University of California Press, 2003View the Source
Flash of the Spirit: African and Afro-American Art and Philosophy
Robert Farris Thompson, Random House, 1983Hoodoo and African American folk magicView the Source
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