Franz Anton Mesmer proposed that a single subtle fluid, animal magnetism, pervades the universe and every living body, flowing through the body along invisible channels much as blood flows through vessels; illness, in his account, resulted when this flow became blocked or unevenly distributed, and health could be restored by a trained magnetizer who used touch, gesture, eye contact, and sustained concentration to redirect and rebalance the patient's magnetic fluid. Mesmer's Paris practice from 1778 became famous for its theatrical group sessions: patients sat around a large wooden tub, the baquet, filled with iron filings and water, holding iron rods that projected from it, in a dimly lit room with mirrors and soft music, while Mesmer or his assistants moved among them making magnetic passes. Many patients experienced dramatic responses, trembling, weeping, convulsions, or fainting, that Mesmer called a healing crisis, after which some reported real relief from their symptoms.
Mesmer's system spread quickly among Paris's fashionable and intellectual circles in the early 1780s, and he trained a number of students and associates, including Charles Deslon, a royal physician who became his most prominent practicing follower and who was the specific practitioner tested when the French crown eventually intervened. The theory's dramatic public success and its association with fashionable, sometimes overtly erotic, mixed-gender group treatment also drew serious concern from the medical establishment and eventually from the French crown itself, setting up one of the more consequential scientific investigations of the eighteenth century.