Hercules (1997), Screen Works
Standing
Concerns Religious Subject Matter
Currently States Dramatizes the birth and heroic trial of Hercules within Greek myth, but rewrites the central relationships that Greek religious tradition uses to explain his suffering. In the myths preserved by ancient sources, Heracles is the illegitimate son of Zeus and the mortal Alcmene, and Hera's enduring hostility toward him, born of that adultery, later drives him to madness and the killing of his own family, a crime his famous labors exist to atone for. The film instead makes Zeus and Hera a devoted married couple and Hercules their legitimate son, drops the madness and the killing entirely, and reassigns Hera's traditional antagonism to Hades. It also has Hercules himself slay Medusa, a feat the myths credit to Perseus.
Vasillis Lambrinodakis, an antiquities expert at the University of Athens, said the studio should have changed the characters' names if it wanted this much freedom with them. Yiannis Tzedakis, director of antiquities at Greece's Culture Ministry, called the result a distorted portrayal of the Herculean myth and said plainly the film was not made for Greece. Disney itself distributed explanatory booklets at Greek screenings stating the film was not a lesson in mythology, an acknowledgment built into the release that its version and the version Greek tradition tells are not the same story. Sourced to the Guardian report carried by Deseret News, corroborated by Wikipedia's own reception section and by the Deseret News critique cataloguing the specific departures from the myths.
Source Smith, "Greek Viewers Hiss at Distortion of Myths in Disney's 'Hercules,'" The Guardian via Deseret News, 1997, Helena Smith