Divinity Atlas

Sacred Correspondences
Doctrines

The Duty of Humankind to Serve the Gods

Cosmology and World-Structure

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The Atrahasis Epic, the fullest surviving Mesopotamian account of the creation of humankind, gives that creation a blunt, practical motive. The Igigi, the junior tier of gods, had been digging canals and carrying the earth's workload for the senior Anunnaki gods and rose in open revolt against the toil. To settle the crisis, the mother goddess Nintu, working with the god Enki, fashioned the first human beings from clay kneaded together with the flesh and blood of We-ila, a god put to death for the purpose, so that a portion of divine spirit would carry over into the new creature. Humanity's founding purpose, on this account, was to relieve the gods of exactly the labour the Igigi had refused: farming the fields, tending the canals and, above all, keeping the gods fed and housed through the daily offerings that Mesopotamian temple religion treated as sustaining divine life itself. The Enuma Elish gives a parallel account centred on Marduk after his defeat of Tiamat, with humanity made from the blood of the rebel god Kingu for the same essential purpose.

Facts
Structure
Structure
The junior tier of gods had been carrying the workload of the senior gods and rose in revolt against the toil. To settle the crisis the first human beings were fashioned from clay kneaded with the flesh and blood of a god put to death for the purpose, so that a portion of divine spirit would carry over. 1
Origins
Held By
Mesopotamian religion 1
Position Profile
Key Text
The Atrahasis Epic, the fullest surviving Mesopotamian account of the creation of humankind, with a parallel account in the Enuma Elish centred on Marduk after his defeat of Tiamat. 1
Belief
Subject
Human nature 1
Status
Status Within the Tradition
Defined and binding within this tradition 1
Doctrinal Category
Myth and Sacred Narrative 1
Learn More
Clay and the Blood of a Slain God

The Atrahasis Epic opens not with a benevolent act of creation but with a labour dispute among the gods themselves. Before humanity existed, the junior Igigi gods were made to dig the Tigris and Euphrates canals and carry the earth dredged from them, work the text describes in terms of genuine physical suffering, forty years of it by the poem's own count, before the Igigi set fire to their tools and marched on the dwelling of Enlil, the senior god who had assigned them the labour. The crisis was resolved not by relieving the gods of work but by inventing a new class of being to do it instead. Enki proposed, and the birth goddess Nintu carried out, the creation of the first human from a mixture of clay and the flesh and blood of We-ila, described in the text as "a god who had intelligence," killed specifically to supply the mixture with a portion of divine will and awareness (temu).

The Enuma Elish, composed later and organised around the god Marduk's rise to supremacy after his defeat of the primordial sea goddess Tiamat, tells a structurally similar story: Marduk creates humanity from the blood of Kingu, the god who had led Tiamat's rebel army, explicitly so that humankind can be burdened with the gods' service and the gods can be at rest. Both accounts treat the mixing of divine and earthly material as the reason a human being is more than an animal, carrying a fragment of divine intelligence, while still being firmly a servant class created to work rather than a divine being in its own right.

What the Doctrine Required in Practice

A creation myth that casts humanity as the gods' labour force is not idle poetry in a society organised, at the institutional level, around exactly that relationship. The Mesopotamian temple functioned economically as the god's household: it owned land, herds and workshops, employed dependents, and above all received and prepared food, drink, clothing and incense that priests presented to the divine statue on a fixed daily schedule, the akitu and other festivals simply expanding the same logic to a civic scale. The theological claim that humans exist to feed and house the gods was, in the temple's daily operation, a literal job description rather than a metaphor, and the vast archives of ration lists and offering texts that survive from Mesopotamian temple archives are the paperwork of that arrangement.

The doctrine also shaped how Mesopotamians understood disaster. The same Atrahasis Epic that explains humanity's creation goes on to describe the gods growing irritated at human noise and repeatedly trying to reduce the population through plague, famine and finally a great flood, only relenting when the flood threatens to leave no one to provide offerings at all: a divine realization that humanity's service was, in the end, indispensable to the gods themselves. Read together, the creation and flood narratives present a religious anthropology in which humans are neither central to the cosmos nor incidental to it, but structurally necessary to a working relationship the gods depend on as much as humans do, however little say humanity itself was ever given in the arrangement.

Cross-Tradition Connections

Belongs to Tradition

Humanity's creation to labour for the gods is the founding premise of the Atrahasis Epic and the Enuma Elish.

Sources
1. Myths from Mesopotamia: Creation, the Flood, Gilgamesh, and Others
Stephanie Dalley, Oxford University Press, 2000View the Source
Gods, Demons and Symbols of Ancient Mesopotamia: An Illustrated Dictionary
Jeremy Black and Anthony Green, British Museum Press, 1992
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