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Izanami
Primordial Deities
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Izanami joined Izanagi on the floating bridge of heaven to stir the primeval brine into the first island, and the two descended, married by circling a great pillar in opposite directions, and bore the islands of Japan and a host of kami. Bearing the fire god Kagutsuchi burned and killed her, and Kojiki records that even in dying she brought forth deities of metal, clay and irrigation from her vomit, urine and feces, later credited with founding smithing and pottery. In Yomi she became a corpse, ashamed to be seen decaying; when Izanagi broke his vow and looked on her, she rose in rage, pursued him with the hags of the underworld, and after he sealed the pass, vowed to strangle a thousand of the living each day, a claim he answered by promising fifteen hundred births.
Facts
Origins
FoundedWith Izanagi she is credited as originator of death itself within Shinto cosmology: her own passing is the first death the mythic history records, and her descent establishes the very existence of Yomi, the land of the dead, as a realm that had not existed before her death created the need for it. 1 Origin of the NameHer name is generally read as meaning she who invites, paired with Izanagi's he who invites, names scholars connect to the ritual formula of invitation the two exchange while circling the heavenly pillar before their union, so that their names encode the very act that opens the creation myth. 1 Life
Office HeldSourced to the subject's own accountPrimordial creator goddess; with her brother-husband Izanagi, creator of the Japanese islands, and, after her death, ruler of Yomi, the land of the dead 2 Attestation
HistoricityNot a historical person: a divine or other-than-human being 1 Attributions
Mythic AssociationSourced to the subject's own accountWith Izanagi, bore the eight great islands of Japan and numerous kami, including Amaterasu, Tsukuyomi and Susanoo, though the last three are born later from Izanagi alone during his purification, after Izanami's own death. 2 TraditionShinto creation narrative, recorded in both the Kojiki of 712 and the Nihon Shoki of 720, the two earliest chronicles compiled to establish an official account of the imperial line's divine descent. 1 Veneration
Shrine or Burial PlaceThe Kojiki tells that after she died giving birth to the fire god Kagutsuchi she was buried at Mount Hiba on the border of the provinces of Izumo and Hoki, the place her account of the underworld of Yomi is traditionally linked back to. 1 History
Historical NoteSourced to the subject's own accountDied giving birth to the fire god Kagutsuchi and was buried on Mount Hiba. When Izanagi came to Yomi to bring her back he found her decayed and swarming with maggots; she pursued him in fury as he fled, and after he sealed the way out with a boulder she vowed to kill one thousand of the living each day, establishing her as a goddess of death. 2 Scholarship
How Its Legacy Is ContestedThe Kojiki recounts that after dying in childbirth and being seen by her husband Izanagi in her decayed state despite her explicit request not to look, she pursued him in fury from the underworld, and upon being sealed behind a boulder at the pass between the living and the dead she vowed to kill a thousand of his people each day, becoming from that point the ruler of Yomi, the land of the dead. 1 Practice
LineageFemale of the primordial creator pair with her brother and husband Izanagi; mother of the islands of Japan and a host of kami; died bearing the fire god Kagutsuchi 1 Learn More
Izanami, Hiruko, and the Cost of Speaking First
Before Izanami and Izanagi produced the islands their own descent narrates, the Kojiki records a first attempt that went wrong. Standing on either side of the newly planted Heavenly Pillar, the two deities circled it in opposite directions on the advice of the heavenly gods, meeting to marry where their paths crossed. Izanami, arriving first at the meeting point, spoke the customary greeting before her husband did, praising his beauty. Izanagi answered in turn, but the marriage that followed produced not the islands of Japan but Hiruko, a leech child born without bones or limbs, whom the couple set adrift on a reed boat rather than count among their offspring. A second failed birth followed, the indistinct island Awashima, also not reckoned a true child. Troubled, the pair ascended to consult the assembled heavenly deities, who divined the fault by the ancient method of cracking a deer's shoulder blade over fire: the woman had spoken first, inverting the proper order between husband and wife, and the ritual itself, not the couple's fitness to parent, had produced the flawed births. Izanagi and Izanami returned to the pillar and circled it again, and this time Izanagi spoke first, greeting his wife before she could greet him. Only after that correction did the union produce the eight great islands of Japan and the generations of kami who followed. The episode reads, in the Kojiki's own account, as an origin story for a specific rule of ritual precedence between husband and wife, embedded inside the larger creation narrative rather than told apart from it.
The Cult of Izanami: The Grave in the Cliff at Hana no Iwaya
Izanami is not worshipped only in myth. The Nihon Shoki records that she was buried at Arima in the province of Kumano after dying from the burns of bearing the fire god Kagutsuchi, and that burial site is identified today with Hana no Iwaya, a shrine on the Kii Peninsula's Shichiri-mihama coast, part of the Kii Mountains World Heritage area. The shrine keeps an unusually old form of Shinto worship: it has no main hall, because the goshintai, the object housing the deity, is the cliff face itself, a towering rock formation that ancient practice treated the way it treated notable trees, boulders and waterfalls, as a place a kami inhabits directly rather than a site built to represent one. Worshippers pray from an enclosure set before the rock rather than inside any building. Twice a year, on the second of February and the second of October, the shrine holds the O-Tsunakake-Shinji festival, stringing a great rope from the cliff associated with Izanami across to a smaller rock read as her son Kagutsuchi, a rite local tradition frames as tending the bond between mother and the child whose birth killed her. Local prayer for her soul, offered with seasonal flowers, song and dance, is recorded continuing at the site into the present. Izanami's cult is therefore genuinely active rather than confined to the mythic record, though it is narrow and geographically specific: a single ancient shrine on the coast where tradition places her grave, rather than a network of temples spread across Japan the way Amaterasu's cult is.
Cross-Tradition Connections
Associated With
This source names Izanami directly: "for "The God Izanagi and Goddess Izanami," a hanging scroll by Nishikawa Sukenobu (Japanese, 1671 to 1750), ink and color on paper, Edo period, 18th century, 1700 to 1750."
This source names Izanagi directly: "Izanami joined Izanagi on the floating bridge of heaven to stir the primeval brine into the first island, and the two descended, married by circling a great pillar in opposite directions, and bore..."
Source KojikiDonald L. Philippi (translator) This source names Izanami directly: "painting by Kobayashi Eitaku showing Izanami and Izanagi, the paired creator deities of Japanese Shinto mythology, using a sacred spear to stir the primordial ocean and create the islands of Japan."
This source names Izanami directly: "It shows the paired creator deities Izanagi and Izanami standing on the floating bridge of heaven, stirring the primordial ocean with the jeweled spear Ame-no-Nuboko; the droplets that fall from its..."
This source names Japan directly: "directions, and bore the islands of Japan and a host of kami."
Source KojikiDonald L. Philippi (translator) Belongs to Tradition
Source KojikiDonald L. Philippi (translator) Depicted In
The Metropolitan Museum's own title, "The God Izanagi and Goddess Izanami," names Izanami outright, alongside Izanagi, with a named artist attribution to Nishikawa Sukenobu.
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