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John of the Cross

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Spanish Carmelite mystic and poet (1542-1591), co-reformer with Teresa of Avila and author of The Dark Night of the Soul and The Ascent of Mount Carmel. His writing on purgation, contemplation, and the souls painful journey toward divine union is a summit of Christian mysticism. He is a Doctor of the Church and patron of contemplatives and poets.

Facts
Identity
Gender
Male 1
History
Historical Note
He was declared a Doctor of the Church in 1926 by Pope Pius XI. 1
Veneration
Feast Day
His feast day is 14 December in the Roman Catholic calendar, the date of his death in 1591. 1
Patronage
Declared a Doctor of the Church in 1926, the first Carmelite friar to receive the title, and named patron of contemplatives, mystics and Spanish poets. 1
Life
Lifespan or Floruit
1542 to 1591 1
Place of Activity
Castile and Andalusia 1
Manner of Death
Died of natural causes 1
Died at Ubeda in 1591
Position Profile
Key Text
The Dark Night of the Soul and The Ascent of Mount Carmel, his two major works on the soul's purgation and union with God, are his enduring contribution to Christian mysticism. 1
Attestation
Historicity
Historically attested 1
Canonization
Formally canonized 1Tradition: Christianity
Formally canonized in 1726
Origins
Place of Origin
Fontiveros, near Avila in Castile 1
Publications
Notable Publication
His poem Dark Night of the Soul, composed while he was imprisoned by fellow Carmelites opposed to his reform efforts, gave Christian mysticism its enduring term for the desolation a soul experiences in its ascent toward union with God. 1
Learn More
The Dark Night, and the Poetry of Absence

John of the Cross gave Christian mysticism one of its most enduring images: the dark night of the soul. A Spanish Carmelite, he joined Teresa of Avila in the reform of the order, the "Discalced" (barefoot) Carmelites who sought a stricter, more contemplative life, and was imprisoned and beaten by friars of the unreformed branch who opposed the reform. It was in that prison cell that he composed some of his greatest poetry. His teaching, set out in verse and in the prose commentaries The Ascent of Mount Carmel and The Dark Night, describes the soul's journey to union with God as a progressive stripping-away: first of attachment to created things, then, in the "dark night," of all sensible consolation and even the felt presence of God, so that the soul is purified of everything but bare faith. The absence is not abandonment but the means of a deeper union beyond image and feeling. Named a Doctor of the Church, he is honoured both as a mystical theologian of the first rank and as one of the supreme poets of the Spanish language.

Poetry Written in an Actual Prison, Not Only a Metaphorical One

John's most famous theological image, the dark night of the soul, is often read purely as an abstract description of spiritual desolation, but a considerable part of his own poetry on the theme was composed during a real and severe imprisonment inflicted by members of his own religious order. As the Discalced reform movement he helped Teresa of Avila establish met fierce resistance from the Calced Carmelites who opposed it, John was seized by opponents of the reform and held for months in a cramped cell in Toledo, subjected to punishment and pressure to abandon the reform, before eventually escaping.

Some of his most celebrated poems, including material closely tied to the dark night theme, are traditionally associated with this imprisonment or the period immediately following his escape, which means the desolation and darkness his poetry explores was not only a mystical or literary conceit but was shaped by genuine persecution carried out by fellow Carmelites rather than by outside enemies of the faith. He was later declared a Doctor of the Church, centuries after his death, a recognition that sits alongside this less comfortable fact: one of Catholicism's most treasured mystical poets produced some of his defining work while a prisoner of his own religious brothers, in a conflict over the direction of their shared order rather than any dispute with the wider Church.

Cross-Tradition Connections

Associated With

Castile, Regions

This source names John of the Cross directly: "This is the Collected Works of St. John of the Cross, in Kieran Kavanaugh and Otilio Rodriguez's standard modern translation published by ICS Publications, the Institute of Carmelite Studies, in..."

Source The Collected Works of St. John of the CrossJohn of the Cross; trans. Kieran Kavanaugh and Otilio Rodriguez

Attributed Works

The phrase and the analysis are his.

Belongs to Tradition

Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)

Depicted In

The Rijksmuseum's own title and subject note name John of the Cross as the portrait's subject.

Related To

Two Spanish contemporaries whose very different manuals of the interior life were written within a generation of each other.

Works Attributed

The companion treatise to the Dark Night, also a commentary on his poem, and also left unfinished.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)

John's commentary on his own poem of the same name, left unfinished.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)
Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005John of the CrossView the Source
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005View the Source
Portret van de heilige Johannes van het Kruis, Rijksmuseum (van Lochom, 1611-1647)
RijksmuseumDepicted In: Portrait of Saint John of the Cross (Rijksmuseum, van Lochom, 1611-1647), Rijksmuseum RP-P-1908-2143View the Source
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