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Leo X

Also Known As Giovanni de' Medici · Pope Leo X
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Giovanni de' Medici, pope from 1513 to 1521 and the second son of Lorenzo the Magnificent, made a cardinal at thirteen. The indulgence he renewed to pay for the rebuilding of St Peter's was preached in Germany in terms that provoked the Ninety Five Theses, and it was his bulls Exsurge Domine and Decet Romanum Pontificem that condemned and then excommunicated Luther. He closed the Fifth Lateran Council in 1517, months before the theses, without addressing what the council had been called to reform. In 1521 he gave Henry VIII the title Defender of the Faith, which the English crown kept after breaking with Rome and holds still.

Facts
Identity
Canonical Reference
His bulls Exsurge Domine and Decet Romanum Pontificem condemned and then excommunicated Luther. 1
Gender
Male 1
Origins
Founded
In 1521 he granted Henry VIII of England the title Defender of the Faith in recognition of a treatise the king wrote against Luther, a title the English crown has retained continuously since, including after the country's own later break with Rome. 1
Attestation
Historicity
Historically attested 1
Status
Status Within the Tradition
His sale of indulgences to help fund the reconstruction of Saint Peter's Basilica became one of the immediate provocations for Martin Luther's Ninety-Five Theses in 1517, an event now widely regarded as the opening act of the Protestant Reformation. 1
History
Historical Note
The indulgence preached for the rebuilding of St Peter was the occasion of the ninety-five theses, and his bull Exsurge Domine condemned Luther in 1520. 1
Life
Lifespan or Floruit
1475 to 1521 1
Office Held
Pope from 1513 to 1521 1
Scholarship
How Its Legacy Is Contested
A remark attributed to him on his election, God has given us the papacy, let us enjoy it, though of disputed authenticity, has long stood as a byword for the worldly indulgence of the Renaissance papacy that helped provoke the reform movements of his pontificate. 1
Position Profile
Key Text
His bulls Exsurge Domine and Decet Romanum Pontificem are the texts that condemned and then excommunicated Martin Luther. 1
Learn More
How an Indulgence Reached Wittenberg

The chain that ended in the Ninety Five Theses is administrative rather than theological at almost every link.

Albrecht of Brandenburg wanted the archbishopric of Mainz while already holding two other sees, which required a dispensation, and the fee was very large. He borrowed it from the Fugger bank. Leo, needing money for the rebuilding of St Peter's, granted both the dispensation and the right to preach the indulgence in Albrecht's territories, on terms under which the proceeds were split between Rome and the repayment of the loan. A banking agent travelled with the preachers to take the German half.

The Dominican Johann Tetzel then preached it in a way that made the transaction sound complete and mechanical, and his terms crossed into Saxony, where the elector had banned the indulgence but could not stop his subjects walking over the border.

Martin Luther's theses of 31 October 1517 attack the theology of indulgences, and they attack this arrangement specifically, asking why the pope, whose wealth exceeds that of the richest, does not build the basilica with his own money rather than with that of poor believers.

Leo's initial response was to treat it as a quarrel between religious orders. The examination by Cardinal Cajetan at Augsburg in 1518 turned on authority rather than on the doctrine. The bull Exsurge Domine of June 1520 condemned forty one propositions and gave sixty days; Luther burned it publicly. Decet Romanum Pontificem excommunicated him in January 1521, and the Diet of Worms followed in April.

A Council That Closed, and a Title That Outlived Its Reason

The Fifth Lateran Council had been sitting since 1512 and Leo closed it in March 1517, seven months before the theses. It had been called partly to answer a rival council convened against his predecessor and partly to address reform, and it issued decrees on preaching, on the conduct of clergy and on the reform of the curia. Almost none of it was enforced. A council on reform that adjourned without result, immediately before the reform crisis broke, is the single sharpest indictment of the pontificate.

The finances behind it are part of the same story. Leo spent on a scale that made his court the most brilliant in Europe: Raphael at work in the Vatican, the acquisition of antiquities, an Indian elephant kept as a gift from the king of Portugal, hunts, musicians and a very large household. Offices were created and sold in quantity to pay for it, and after the conspiracy of Cardinal Petrucci in 1517 he created thirty one new cardinals at once, which served both to secure his position and to raise money. He left the papacy heavily in debt.

One act of that pontificate is still visible on British coinage. In 1521 Henry VIII published a defence of the seven sacraments against Luther, and Leo rewarded him with the title Defender of the Faith. Henry broke with Rome thirteen years later and the title was withdrawn, whereupon the English Parliament conferred it again by statute. The abbreviation for it has appeared on English and British coins from the eighteenth century to the present.

Cross-Tradition Connections

Associated With

This source names Leo X directly: "API record for "Portrait of Pope Leo X," an engraving by Lucas Vorsterman I, Flemish, 1615 to 1675."

Pope from 1513 to 1521.

He created the title Defender of the Faith for Henry VIII in 1521; the English crown kept it after the break and it sits beside the Supreme Governorship to this day.

Belongs to Tradition

Depicted In

The Met's own title for this engraving names the subject outright, a half-length portrait of the Medici pope in papal vestments.

Sources
1. Reformation: Europe's House Divided 1490-1700
Diarmaid MacCulloch, Allen Lane, 2003View the Source
Disputation on the Power and Efficacy of Indulgences (the Ninety-Five Theses)
Martin Luther, 1517
Portrait of Pope Leo X, accession 51.501.7580 (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: Portrait of Pope Leo X (Metropolitan Museum of Art, 51.501.7580), accession 51.501.7580View the Source
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