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Martin of Tours

Also Known As Saint Martin of Tours Titled form.
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Martin of Tours (c. 316 to 397) began as a Roman cavalry officer, became a monk and then, reluctantly, Bishop of Tours, and left behind the most reproduced image in Western Christian art of practical charity: cutting his military cloak in half with his sword to share with a freezing beggar.

Facts
Attestation
Historicity
Historically attested 1
Historically attested; his contemporary Sulpicius Severus wrote a Life within Martin's own lifetime
Veneration Today
Actively venerated in a living tradition 1
Canonization
Pre-Congregation: venerated before any formal process existed 2Tradition: Christianity
Canonization Detail
Pre-Congregation: venerated from shortly after his death 2Tradition: Christianity
Cult
Attributes and Iconography
A cloak cut in half by a sword, from the episode at the gate of Amiens 4
Life
Lifespan or Floruit
c. 316 to 397 1
Office Held
Roman cavalry officer before conversion; Bishop of Tours from 371 to 397 2
Place of Activity
Amiens and Poitiers in Gaul as a young man; Tours, where he served as bishop from 371 3
Manner of Death
Died of natural causes 3
Manner of Death Detail
Died at Candes, near Tours, in 397 3
Origins
Place of Origin
Savaria, in the Roman province of Pannonia (modern Szombathely, Hungary) 3
Identity
Gender
Male 1
Position Profile
Key Text
Sulpicius Severus's Life of Saint Martin (Vita Martini), written during his subject's own lifetime, is the source for the cloak-sharing story and the rest of his biography. 1
Veneration
Feast Day
11 November 3Tradition: Christianity
Patronage
Soldiers, beggars, and France 3Tradition: Christianity
Disputed
Lifespan or Floruit
316 to 397 CE 1
The source marks this year circa, its own approximate estimate rather than a fixed date.
Learn More
The Soldier Who Cut His Cloak in Half

Martin was born around 316 in Pannonia, in what is now Hungary, the son of a Roman military officer, and was enrolled in the cavalry himself as a young man, reportedly against his own wishes since he had already begun leaning toward Christianity. The best known story of his life, recorded by his contemporary biographer Sulpicius Severus, is set during a bitterly cold winter at Amiens in Gaul: Martin, still an unbaptized catechumen serving in the army, encountered a poorly clothed beggar at the city gate, and since he had nothing else to give, cut his own military cloak in two with his sword and gave half to the man. That night, Sulpicius writes, Martin saw Christ in a dream wearing the half cloak he had given away, saying to the surrounding angels that Martin, still only a catechumen, had clothed him.

Martin was baptized soon afterward and eventually left military service, telling the emperor Julian that as a soldier of Christ he was not permitted to fight. He attached himself to Hilary of Poitiers, a leading opponent of Arianism, and around 361 founded a community of hermits at Liguge, considered one of the earliest monastic foundations in Gaul. Sulpicius Severus began circulating this Life while Martin was still alive, an unusual choice that made Martin one of the first non-martyr saints to become widely known through written biography rather than through a cult built up around relics after death, and the account, quickly copied and translated across the Latin West, established a durable literary type, the soldier turned holy man, that later medieval hagiography returned to often.

A Reluctant Bishop, and a Cult That Shaped a Kingdom

In 371 the people of Tours, wanting Martin as their bishop for his reputation for holiness, are said to have lured him into the city under the pretense of visiting a sick relative and then acclaimed him bishop by popular demand, an election he tried to refuse, reportedly hiding in a goose pen, whose noisy birds gave him away, an episode later linked to the custom of eating goose on his feast day.

As bishop he kept living as a monk, founding the community of Marmoutier nearby and continuing to travel the countryside personally, destroying pagan shrines and sacred trees and preaching directly to rural populations that earlier bishops, based in cities, had mostly left untouched, work later historians credit with a real role in the Christianization of the Gallic countryside. He died in 397 at Candes, and the dispute between the towns of Poitiers and Tours over which would keep his body, resolved when men from Tours reportedly removed it by night through a window, previews the importance his cult would carry. His cloak, preserved as a relic called the cappa, was carried by later Frankish kings into battle as a protective standard, kept in a portable shrine, or capella, the origin of the word chapel, and the clerics who guarded it were called cappellani, the origin of chaplain. He is one of the most widely venerated saints of the early medieval West, with more churches named for him in France than for any other saint.

Cross-Tradition Connections

Associated With

Bishop of Tours from 371 until his death in 397.

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)

This source names Martin of Tours directly: "collection API record for "Saint Martin of Tours," a polychrome and gilded wood sculpture, German, late 15th to early 16th century, Medieval Art department."

This source names Saint Martin of Tours directly: "hungry and visiting the imprisoned; Saint Martin of Tours tearing his own cloak in half to clothe a naked beggar; a sick man shown with clasped hands; a pilgrim identifiable by the scallop shell in..."

Belongs to Tradition

Depicted In

The Met's own title for this sculpture names the subject outright, "Saint Martin of Tours," a direct identification rather than a bare thematic tag.

Sources
1. The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
2. The Catholic Encyclopedia
Charles George Herbermann et al. (eds.), Robert Appleton Company, 1913View the Source
3. Butler's Lives of the Saints, New Full Edition
Herbert Thurston and Donald Attwater (eds.), Burns and Oates / Liturgical Press, 1956View the Source
4. Legenda Aurea (The Golden Legend)
Jacobus de Voragine, Princeton University Press, 1993View the Source
Saint Martin of Tours, accession 50.233.2 (Metropolitan Museum of Art)
Metropolitan Museum of ArtDepicted In: Saint Martin of Tours (Metropolitan Museum of Art, 50.233.2), accession 50.233.2View the Source
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