As a divinatory line, nine at the second place of Coming to Meet reads within the hexagram's overall concern with a bold, strong female met unexpectedly; not good to marry such a one, since she should not be long associated with. The line occupies a place that does not match its own nature in the classical doctrine that odd places favour a firm, yang line and even places favour a yielding, yin line. It is also one of the two central lines of the hexagram, the place classical reading treats as the most balanced regardless of the line's own character. Its own text, that a wallet holding fish, no error, but it will not do to let it advance to the guests, is the particular fortune assigned to this one stage of the situation, not to the hexagram as a whole.
The second line corresponds by classical convention with the fifth line, and the two do not correspond here, since both lines share the same character. Read together with the trigram it belongs to, Xun in the lower position of the figure, the line marks the situation settling into its own character, still wholly inside the lower trigram, one stage in the six stage movement the hexagram traces from its first line to its last.
A change at this line, from yang to its opposite, is the mechanism the tradition uses to move from one hexagram to another. Flipping the second line of Coming to Meet turns Xun into Gen while the other trigram, Qian, stays as it is, which yields Coming to Meet's changing partner, Retreat (King Wen 33), the hexagram this line is recorded as transforming into.