Divinity Atlas

Sacred Correspondences
Hexagram Lines

Increase, Line 3

Increase

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Increase used to help in times of misfortune brings no blame if one holds to the truth and pursues the middle course, reporting matters with the emblem of one's mission, since even hardship becomes an occasion for growth when handled with sincerity.

Facts
Identity
Position
249 of 384 1
Chinese Correspondences
Yin or Yang
Yin 1
Lines
Traditional Line Numeral
Six 1
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The Line Statement and Increase Given by Means of What is Evil

The third line of Increase (King Wen 42) is drawn as yin, the numeral six in the old divination manuals. James Legge's translation renders the line as increase given by means of what is in itself evil, so that there is no error if he holds to sincerity and walks in the middle course, reporting even with the symbol of his rank. The image sits inside a hexagram whose judgment as a whole concerns advantage in every movement undertaken, even advantage in crossing the great stream, and this line supplies one stage of that larger reading rather than a complete statement on its own.

Structurally the line stands at the topmost place of the lower trigram Zhen, thunder in Legge's readings of the eight trigrams, while the upper trigram of the hexagram is Xun, wind in the same traditional set of images. The Great Symbolism of the hexagram reads wind and thunder together; the superior man, seeing what is good, moves toward it, and seeing his errors, turns away from them, and the third line takes its place inside that combined picture of Zhen below and Xun above.

Read on its own the line neither opens nor closes the hexagram's argument. It marks the point where Zhen is either forming (in the lower trigram) or completing itself (in the upper), and later interpreters treat its image, Increase Given by Means of What is Evil, as the concrete case through which the hexagram's abstract judgment becomes visible in a single situation rather than a general principle.

The Turning Line Toward the Upper Trigram in Increase

As a divinatory line, six at the third place of Increase reads within the hexagram's overall concern with advantage in every movement undertaken, even advantage in crossing the great stream. The line occupies a place that does not match its own nature in the classical doctrine that odd places favour a firm, yang line and even places favour a yielding, yin line. Its own text, that increase given by means of what is in itself evil, so that there is no error if he holds to sincerity and walks in the middle course, reporting even with the symbol of his rank, is the particular fortune assigned to this one stage of the situation, not to the hexagram as a whole.

The third line corresponds by classical convention with the sixth line, and the two correspond here, since one line is yin and the other yang. Read together with the trigram it belongs to, Zhen in the lower position of the figure, the line marks the hinge between the two trigrams, the last word the lower trigram gets before the upper trigram takes over, one stage in the six stage movement the hexagram traces from its first line to its last.

A change at this line, from yin to its opposite, is the mechanism the tradition uses to move from one hexagram to another. Flipping the third line of Increase turns Zhen into Li while the other trigram, Xun, stays as it is, which yields Increase's changing partner, The Family (King Wen 37), the hexagram this line is recorded as transforming into.

Cross-Tradition Connections

Transforms Into

Sources
1. The Sacred Books of the East, Volume XVI: The Yi King
James Legge (trans.), Clarendon Press, Oxford, 1882Line position and yin or yang polarity for King Wen 42 line 3. The wording of the line text itself has no recorded source.View the Source
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