The Wanderer, Line 1

The first line of The Wanderer (King Wen 56) is drawn as yin, the numeral six in the old divination manuals. James Legge's translation renders the line as the wanderer occupied with mean and trivial things, bringing on himself the calamity that follows. The image sits inside a hexagram whose judgment as a whole concerns some small attainment and progress for the stranger who is firm and correct as he travels, and this line supplies one stage of that larger reading rather than a complete statement on its own.

Structurally the line stands at the lowest place of the lower trigram Gen, mountain in Legge's readings of the eight trigrams, while the upper trigram of the hexagram is Li, fire in the same traditional set of images. The Great Symbolism of the hexagram reads fire above a mountain; the superior man uses wisdom and caution in punishments, and does not let litigation drag on, and the first line takes its place inside that combined picture of Gen below and Li above.

Read on its own the line neither opens nor closes the hexagram's argument. It marks the point where Gen is either forming (in the lower trigram) or completing itself (in the upper), and later interpreters treat its image, The Wanderer Occupied with Mean and Trivial Things, as the concrete case through which the hexagram's abstract judgment becomes visible in a single situation rather than a general principle.

As a divinatory line, six at the first place of The Wanderer reads within the hexagram's overall concern with some small attainment and progress for the stranger who is firm and correct as he travels. The line occupies a place that does not match its own nature in the classical doctrine that odd places favour a firm, yang line and even places favour a yielding, yin line. Its own text, that the wanderer occupied with mean and trivial things, bringing on himself the calamity that follows, is the particular fortune assigned to this one stage of the situation, not to the hexagram as a whole.

The first line corresponds by classical convention with the fourth line, and the two correspond here, since one line is yin and the other yang. Read together with the trigram it belongs to, Gen in the lower position of the figure, the line marks the opening of the situation, before the trigram above it has any part in the reading, one stage in the six stage movement the hexagram traces from its first line to its last.

A change at this line, from yin to its opposite, is the mechanism the tradition uses to move from one hexagram to another. Flipping the first line of The Wanderer turns Gen into Li while the other trigram, Li, stays as it is, which yields The Wanderer's changing partner, The Clinging (King Wen 30), the hexagram this line is recorded as transforming into.