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Adeptus Major (Golden Dawn)

Golden Dawn Second Order
Origin from 1892

Adeptus Major is the second grade of the Hermetic Order of the Golden Dawn's Second Order, numbered 6=5, following Adeptus Minor and preceding Adeptus Exemptus. It belongs to the Second Order, the Rosae Rubeae et Aureae Crucis, distinct from the First Order grades that end at Philosophus. The grade name follows the Societas Rosicruciana in Anglia's equivalent sixth grade.

Facts
Origins
Origin PeriodSourced to the subject's own account
from 1892 1
Origin Period
The Second Order, to which this grade belongs, formed in 1892, four years after the Golden Dawn's 1888 founding, and its early history includes the order's most consequential internal dispute, the schism of 1900 over Samuel Liddell MacGregor Mathers's authority. 2
Status
Status Today
Revived or reconstructed in the modern era 2
Meaning
Symbolic MeaningSourced to the subject's own account
As with the rest of the Second Order, advancement past Adeptus Minor continues study of magic, including scrying, astral travel and alchemy, within the order's shift from the First Order's elemental framework toward rose and cross symbolism. 1
Sources
Primary SourceSourced to the subject's own account
Hermetic Order of the Golden Dawn grade structure, Regardie's edition. 3
Identity
PositionSourced to the subject's own account
Numbered 6=5, the second grade of the Hermetic Order of the Golden Dawn's Second Order, conferred after Adeptus Minor and preceding Adeptus Exemptus. 1
Organisation
Governing BodySourced to the subject's own account
The Golden Dawn's Second Order, the Rosae Rubeae et Aureae Crucis, the Order of the Red Rose and the Golden Cross, formally established in 1892 and administratively distinct from the outer First Order that precedes it. 1
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Adeptus Major In The Rosae Rubeae Et Aureae Crucis

Adeptus Major, numbered 6=5, is the second grade of the Hermetic Order of the Golden Dawn's Second Order, following Adeptus Minor and preceding Adeptus Exemptus. The Second Order, the Rosae Rubeae et Aureae Crucis, the Ruby Rose and Golden Cross, is administratively and ritually distinct from the outer First Order that precedes it, a division the order maintained from its 1888 founding by William Wynn Westcott, Samuel Liddell MacGregor Mathers and William Robert Woodman onward.

The grade name and numbering follow the Societas Rosicruciana in Anglia's equivalent grade in its own nine grade sequence, the source the Golden Dawn's founders drew on for the order's structure generally. Where the SRIA reserved advancement into its own Second Order, Grades V through VII, to its Provinces rather than its local Colleges, the Golden Dawn's Second Order carried a comparably elevated administrative status within its own system.

The scholarly history of the Golden Dawn, drawing on surviving order papers and the accounts of members including Israel Regardie, documents the Second Order as the site of the order's most consequential internal disputes, particularly around 1900, when disagreements over Mathers's authority and the order's direction led to schisms that produced several successor bodies, each claiming its own continuation of the Second Order's grade structure.

Adeptus Major's Published Place In The Ruby Rose And Golden Cross

The Rosae Rubeae et Aureae Crucis, the Ruby Rose and Golden Cross, is the Golden Dawn's own published name for its Second Order, a title documented in Israel Regardie's editions of the order's papers alongside the grade sequence, Adeptus Minor, Adeptus Major and Adeptus Exemptus, that structure it. Adeptus Major's own place in that sequence is part of the same publicly available material.

General histories of the order describe the Second Order's rose and cross symbolism as a deliberate shift away from the First Order's elemental framework, a change in emblematic register that published scholarship treats as one of the clearest visual markers separating the order's outer and inner teaching.

Because Regardie's published editions did not appear until decades after the order's founding and its later schisms, general accounts of Adeptus Major and the Second Order grades around it are explicit that everything publicly known today rests on material released well after the events it describes, rather than on contemporaneous nineteenth century publication.

That publication gap is itself a documented fact in the historical scholarship on the order: general accounts note that members of the original Golden Dawn kept this material internal for decades, and that Adeptus Major's own public profile today is largely a twentieth century phenomenon built on Regardie's editions rather than on anything the founding generation itself released.

Connections

Associated With

Severity, Sephiroth

The notation 6=5 sets Adeptus Major on Geburah.

Source The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th editionIsrael Regardie

Member Of

Source Hermetic Order of the Golden Dawn (Wikipedia)Wikipedia contributors

Succeeded By

Adeptus Exemptus, 7=4, follows Adeptus Major and closes the Second Order.

Source The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th editionIsrael Regardie

Successor Of

Adeptus Major, 6=5, follows Adeptus Minor in the Second Order.

Source The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th editionIsrael Regardie
Sources
1. Hermetic Order of the Golden Dawn (Wikipedia)
Wikipedia contributors, Wikipedia, 2026
  • Wikipedia: Hermetic Order of the Golden Dawn, Structure and grades section, Second Order list
    Adeptus Major 6=5
  • Member Of: Hermetic Order of the Golden Dawn
View the Source
2. The Magicians of the Golden Dawn: A Documentary History of a Magical Order 1887-1923
Ellic Howe, Routledge and Kegan Paul, 1972View the Source
3. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989View the Source

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