Literary Works
Major Barbara
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George Bernard Shaw's play, premiered at the Court Theatre, London, November 28, 1905 and first published in 1907. Barbara Undershaft, a Major in the Salvation Army working among London's poor, resigns in protest when the Army accepts a large donation from her father Andrew Undershaft, a munitions manufacturer, and from a whisky distiller. Shaw's own preface to the published play contains a section titled "The Salvation Army" that quotes an actual Army officer's justification for accepting money from any source, "the devil himself" included.
Facts
Subject Matter
Religious Subject MatterA Salvation Army officer's crisis over whether her Army may accept money from ethically compromised donors; Shaw's own preface argues, quoting an actual Army officer directly, that the Army is right to take money "from the devil himself" rather than leave the poor unfed over the question of a donor's character. 2 Scholarly ReceptionSourced to the subject's own accountRegarded as one of Shaw's major "problem plays," staged and studied continuously since its premiere; its preface is separately read as a serious economic and ethical essay on poverty and charity in its own right, distinct from the play it introduces. 1 Production
Publication YearSourced to the subject's own account1905 is the play's premiere at the Court Theatre, London; it was not published in book form until 1907. AuthorSourced to the subject's own account Place of OriginSourced to the subject's own accountCourt Theatre, London, premiere November 28, 1905; first published in book form, with Shaw's preface, 1907. 1 FormatSourced to the subject's own account In Other Languages (4 names)
- الميجور باربارا
- Barbara őrnagy
- Il maggiore Barbara (commedia)
- 참령 바바라
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A Playwright Argued for the Army, Then Wrote Its Hardest Question
Major Barbara stages a question the Salvation Army has always had to answer for itself: what happens when the money that feeds the poor comes from the people profiting off their poverty? Barbara Undershaft is a Salvation Army officer working the London slums when her estranged father, an arms manufacturer, and a whisky distiller both offer the Army large donations. Her superiors accept. Barbara, sickened, resigns on the spot.
George Bernard Shaw did not leave his own opinion offstage. His preface to the published play, titled in part "The Salvation Army," steps forward in his own voice and quotes an actual Army officer defending exactly the practice that breaks Barbara: the Army, the officer said, "would take money from the devil himself and be only too glad to get it out of his hands and into God's." Shaw goes on to argue that nearly all money in a modern economy is tainted by exploitation somewhere along its path, so refusing a donation on moral grounds accomplishes nothing except leaving the poor hungry a little longer.
That leaves the play and its own preface pulling in different directions, and neither this article nor the database resolves it for the reader. Shaw the essayist defends the Army's fundraising as clear eyed realism. Shaw the playwright spent an entire drama taking that same realism seriously enough to let it break a good woman's faith in her own organization. Major Barbara is not an attack on the Salvation Army. It is a considered argument that its hardest compromise deserves to be looked at directly rather than waved away, from a writer who, by his own account, ultimately sided with the compromise.
Cross-Tradition Connections
Associated With
London, Cities This source names London directly: "play, premiered at the Court Theatre, London, November 28, 1905 and first published in 1907."
Critiqued Here
The play stages Barbara Undershaft's own resignation from the Salvation Army as a genuine dramatized crisis over the Army's fundraising ethics, a real interrogation rather than a refusal; Shaw's own preface, by contrast, directly defends the Army's practice of accepting money from any source, and that tension between the play and its author's stated argument is named honestly rather than resolved.
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