Lords of the Night
Tlaloc
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Origin Attested in the central Mexican books of fate painted before and shortly after the Spanish conquest
The ninth of the nine Lords of the Night (Yohualteuctin), the deities who accompany the days of the tonalpohualli in an unending rotation of nine, each lending his or her character to the fate read for a birth. Tlaloc, the rain god, ancient beyond the Mexica themselves, closes the series. Master of the mountain stores of water and lord of Tlalocan, the green paradise of those taken by water and lightning, he ends each round of nine as rain ends a season. His watch lays weather over the day, and with the next day the count returns to Xiuhtecuhtli's fire.
Facts
Origins
Origin PeriodAttested in the central Mexican books of fate painted before and shortly after the Spanish conquest 1 Place of OriginCentral Mexico. The painted books that carry the sequence come from the Basin of Mexico and the Mixteca-Puebla region. 1 Origin of the NameNahuatl tlalli, earth, though scholars differ on the second element: "he who is on the earth," "he who makes things grow from the earth," and "path beneath the earth" are all readings proposed. Unlike his eight fellow Lords of the Night, Tlaloc's own name carries no tecuhtli, lord, suffix. 2 Sources
Primary SourceThe nine accompany the day count in the central Mexican divinatory books, among them the Codex Borbonicus and the Codex Borgia. 1 Attestation
Meaning in the Attesting SourceThe rain god, lord of Tlalocan; the round of nine closes with him. 1Tradition: Aztec Status
Standing as a Comparative CategoryA standard analytic category in the study of religion 1 Learn More
Tlaloc, Lord of the Mountain Rain
Tlaloc is among the oldest and most widely attested deities of central Mexico, his cult and iconography, the goggle eyed, fanged rain god face, traceable in the archaeological record to Teotihuacan and beyond, centuries before the Mexica rose to power and adopted him as one of the two gods, alongside Huitzilopochtli, honoured at the templo mayor's twin shrines in Tenochtitlan. He rules Tlalocan, a paradise of abundant green described in Sahagun's account as the destination for those who died by drowning, lightning, or certain diseases the Mexica associated with water and dampness, a select company spared the longer, harder journey through Mictlan that awaited most of the dead. He commanded the tlaloque, a company of lesser rain spirits stationed at the four directions and on mountaintops, understood as pouring rain from great jars at his direction, and shrines to Tlaloc on mountain summits across the Basin of Mexico, most famously atop Mount Tlaloc itself, received pilgrimage and offering tied to the agricultural calendar.
Sahagun's account of the Atlcahualo festival early in the solar year describes child sacrifice offered to Tlaloc and to the tlaloque, the children's tears read as an omen of the coming rains, a practice recorded plainly in the Florentine Codex and one of the more difficult passages in the source material to read, though it is attested rather than invented and belongs in any honest account of his cult.
Tlaloc's Night Closing the Count of Nine
Tlaloc holds the ninth and final position among the Lords of the Night, governing every ninth date from day nine of the tonalpohualli onward, his recurrence completing the rotation before it begins again with Xiuhtecuhtli on day ten, so that the full nine lord sequence turns over exactly twenty eight times within the 260 day count with two dates left over, since 260 divided by nine leaves a remainder, a plain feature of the arithmetic that the calendar priests simply tracked from their tonalamatl tables rather than treating as an anomaly requiring explanation.
A date under Tlaloc's night carried, in the tonalpouhque's layered reading, the rain god's association with abundance and with the mountains, a generally favourable colouring for agricultural undertakings though tempered by the same power's capacity for storm and flood that made him a figure of real dread as well as hope. Because the nine day cycle is independent of the twenty day signs and thirteen trecenas, Tlaloc's turn falls across every possible day sign and trecena combination over the full 2340 day period before the three counts together return to their starting alignment, the same mathematics that governs all nine lords equally; his closing position in the list is a matter of the sequence's fixed order as Sahagun records it, not a special final authority over the other eight, who continue their own rotations at the same steady, unbroken pace.
Sources Cycles of Time and Meaning in the Mexican Books of FateElizabeth Hill Boone with Florentine Codex: General History of the Things of New SpainBernardino de Sahagun; translated by Arthur J. O. Anderson and Charles E. Dibble
Cross-Tradition Connections
Also Modeled As
The ninth night lord and this deity entry name the same figure, Tlaloc.
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