Divinity Atlas

Sacred Correspondences
Magical Weapons

Wand

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Origin 1200 to 1700

The Wand is, in the ritual magic of the Hermetic Order of the Golden Dawn and the wider Western esoteric tradition, the elemental weapon of Fire. It represents the magician's Will and creative, outgoing force, the directed energy by which intention is projected into the world. It corresponds to the suit of Wands or Rods in the Tarot, to the cardinal direction South, and, among the powers of the sphinx, to the injunction 'to Will'. On the altar it stands as one of the four elemental instruments, each a tool for concentrating and expressing the force of its own element.

Facts
Origins
Origin Period
1200 to 1700 1Tradition: The grimoire tradition
Origin PeriodSourced to the subject's own account
1888 to 1900 2Tradition: Hermetic Order of the Golden Dawn: the elemental weapons and their consecration rituals
Origin PeriodSourced to the subject's own account
Assembled as part of the Golden Dawn's set of elemental weapons in London from 1888, incorporating instruments drawn from the earlier grimoire tradition reaching back to around 1200. 2
Place of Origin
London. 3
Attributed Author / Compiler
Drawn from grimoire, Rosicrucian and Kabbalistic material 3
Attributed Author / Compiler
Golden Dawn's elemental weapon set compiled by S. L. MacGregor Mathers 3
Attributed Author / Compiler
Individual implements are far older; the set itself is his 3
Attributions
Tradition
Hermetic Order of the Golden Dawn 3
Learn More
The Magical Weapon: The Wand

The Wand is one of the magical weapons, or elemental tools, of Western ceremonial magic, the set of implements the magician consecrates and uses in ritual. It stands for the will and the creative, outgoing force; it is used to direct energy in ritual.

Tool and element

In the four-fold scheme it is attributed to the element of Fire. The four elemental weapons, Wand, Cup, Sword and Pentacle, correspond to the four suits of the tarot's Minor Arcana and to the four points of the ritual circle, a scheme drawn together in the Hermetic Order of the Golden Dawn from 1888 out of older Solomonic and grimoire material.

Older sources and a live disagreement

Instructions for cutting, carving and consecrating a magical rod or wand appear already in the medieval and early modern grimoire tradition, including the Key of Solomon (Clavicula Salomonis), which S. L. MacGregor Mathers, credited with compiling the Golden Dawn's elemental weapon set, had himself translated and published in English in 1889, the year after the order's founding, putting the grimoire's own instructions for these older tools directly in his hands as source material. The Fire attribution given here is the Golden Dawn's own, and it is not universal: some earlier and parallel strands of the Western esoteric tradition instead give the Wand to Air and the Sword to Fire, a genuine and long-running disagreement among occult writers rather than a settled fact, and readers moving between systems should expect to see both pairings in circulation. The weapon is described here as an element of that documented tradition of ceremonial magic, a body of practice studied historically rather than endorsed.

Sources The Magicians of the Golden Dawn: A Documentary History of a Magical Order 1887-1923Ellic Howe with Grimoires: A History of Magic BooksOwen Davies

The Wand: Grade, Making and Consecration

The Wand is made rather than bought in every tradition that specifies it. The Key of Solomon directs that the rod be cut from a hazel or nut tree in a single stroke, at sunrise, from wood that has never borne fruit, and inscribed before use. The Golden Dawn replaced cutting instructions with construction ones. Its Fire Wand is a turned shaft with a magnetised iron core and a conical cap, painted in the flashing colours, and it belongs to the Philosophus grade, the grade of Fire.

That grade attachment is the part most often lost when the four weapons are listed together as a set. In the Golden Dawn system the aspirant does not acquire all four at once. Each implement is made and consecrated at the grade whose element it carries, so the Pentacle comes at Zelator, the Dagger at Theoricus, the Cup at Practicus, and the Wand last of the four, at Philosophus. Making the implement is part of the grade work, not a preparation for it, and a wand bought finished has skipped the exercise the requirement exists for.

Aleister Crowley, writing after his years in the order, kept the Wand for the will but shifted where the weight fell. In his treatment the Wand is the magician's own will given an object to live in, and its dimensions matter less than whether the maker can state what it is for. The Golden Dawn's Lotus Wand, banded in the colours of the zodiac and used for a different class of work, is a separate instrument rather than a variant of this one.

Cross-Tradition Connections

Disciplines That Use This

Implement Of

Sources
1. Grimoires: A History of Magic Books
Owen Davies, Oxford University Press, 2009chs. on the medieval and early-modern grimoires and their required instrumentsView the Source
2. The Golden Dawn: The Original Account of the Teachings, Rites, and Ceremonies of the Hermetic Order of the Golden Dawn, 6th edition
Israel Regardie, Llewellyn, 1989the Inner Order papers on the elemental weapons and their consecrationView the Source
3. The Magicians of the Golden Dawn: A Documentary History of a Magical Order 1887-1923
Ellic Howe, Routledge and Kegan Paul, 1972The Hermetic Order of the Golden Dawn and its elemental ritual implementsView the Source
Esotericism and the Academy: Rejected Knowledge in Western Culture
Wouter J. Hanegraaff, Cambridge University Press, 2012The doctrine of correspondences underlying the elemental-weapon attributions
Wicca: A Guide for the Solitary Practitioner
Scott Cunningham, Llewellyn Publications, 1989View the Source
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