Divinity Atlas

Sacred Correspondences
Ogham Fews

Muin

MWIN
Aicme Muine

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Origin 1948

Muin is the eleventh letter of ogham, giving the sound M, and the first letter of the third family, Aicme Muine, named after it. Its name is linked in the tree-lists to the vine or the bramble, and the word can also mean the neck or upper back, love, and a wile or ruse; the word-oghams call it the strongest in exertion. The vine and its wine carry associations of harvest, festivity, and the loosening of the tongue that releases hidden truths. In the modern divinatory use of ogham, a twentieth-century reconstruction (Graves, 1948) rather than an ancient oracle, Muin is read for prophecy and inner release, the truths that come out when restraint is loosened, and the joy and unguarded honesty of the gathered harvest.

Facts
Origins
Origin Period
1948 1Tradition: Modern tree-lore and tree calendar (Robert Graves, The White Goddess)
Origin Period
300 to 600 CE 1Tradition: Ogham inscriptions on stone
Origin Period
600 to 1000 CE 1Tradition: Medieval Irish manuscript tradition (In Lebor Ogaim and Auraicept na n-Eces)
Origin Period
Muin is attested in inscriptional ogham from the fourth to the sixth century, in the medieval Irish manuscript tradition through the tenth century, and, in the tree identification many readers now know it by, only from Robert Graves's The White Goddess in 1948, centuries after the alphabet's original use. 1
Place of Origin
A smaller group in Wales, Scotland, the Isle of Man and south-west Britain 1
Place of Origin
Ireland, with the great majority of inscriptions in Kerry, Cork and Waterford 1
Origin of the Name
The letter name is recorded in the medieval Ogam Tract. The tree identification carried here (Vine) is a gloss supplied by the medieval scholiasts, not part of the name: McManus shows that only about a third of the twenty names are securely tree words, the rest being ordinary nouns of other sense, or words fitted to trees because a tree alphabet was the scheme the glossators had settled on. 1
Language
Old Irish 1
Identity
Associated Letter
1
Tree Name
Vine 1
Aicme
Aicme Muine 1
Reading Keys
Keywords
Prophecy, release 1
Attestation
Meaning in the Attesting Source
path of the voice 1Tradition: Briatharogam Con Culainn
Meaning in the Attesting Source
proverb of slaughter 1Tradition: Briatharogam Maic ind Oc
Meaning in the Attesting Source
strongest in exertion 1Tradition: Briatharogam Morainn mac Moin
Learn More
The Ogham Letter Muin

Muin is a letter of ogham, the earliest form of writing in the Irish language, cut as sets of strokes across a central line. It stands for the sound M and belongs to the third (Aicme Muine) of the four aicme, the groups of five into which the twenty principal letters are divided.

Letter, tree and later meaning

Ogham is a genuine antiquity: some four hundred inscriptions survive, most on standing stones in Ireland and western Britain, cut between roughly the fourth and sixth centuries. Each letter also bears a name, and medieval Irish scholars glossed many of those names with trees and with word-kennings; Muin is linked to the vine, from which its letter-name derives.

The divinatory use of ogham, here the sense of prophecy and release, is not attested in the early inscriptions. The reading of ogham as an oracle, and much of the elaborate tree-lore attached to it, belongs to the medieval glossary tradition and, above all, to the modern neo-druidic revival of the twentieth century. It is presented here as that later tradition, laid over a script whose first purpose was to record names in stone.

Cutting Muin: One Oblique Stroke Across the Line

The third family of ogham changes the geometry. Where the first two families cut strokes beside the line, the third cuts them through it.

How the letter is formed

Muin opens the third family, Aicme Muine, and is cut as one stroke crossing the line at an angle. A single oblique stroke through the arris is unmistakable at a glance, which is why the third family is the easiest of the four to identify on a weathered stone even when the count is uncertain.

Four geometries, not four positions

The four families are distinguished by how the strokes meet the line rather than by where they sit along it: beside it on one side, beside it on the other, across it obliquely, and across it square. That choice makes the system robust. A stroke that crosses the line cannot be mistaken for one that does not, however the reader is standing, which is precisely the ambiguity that troubles the first two families.

The sound

Muin carries the value M. It appears throughout the surviving corpus of orthodox inscriptions, which are almost all personal names in the genitive case, cut on standing stones in Ireland and in Irish-settled parts of Wales, Scotland and the Isle of Man, and dated on linguistic grounds to roughly the fourth to the sixth centuries.

The vine attached to this letter comes from the manuscript glosses. A vine is not native to Ireland, which is one of several reasons the tree glosses are read as a learned scheme rather than as a record of a living association, and the atlas treats that layer separately.

Cross-Tradition Connections

Attributed To

The Auraicept sets out this letter's place in the ogham system and its mythic origin under Ogma.

Source Auraicept na n-Eces: The Scholars' PrimerGeorge Calder (ed.)

Originates in Language

Old Irish, Languages
Source A Guide to OgamDamian McManus

Related To

What is not known, and what would settle it. The tree-calendar sign Vine (Muin) shares its plant with the Ogham few Muin (vine).

Sources
1. A Guide to Ogam
Damian McManus, An Sagart, 1991On the letter names and the briatharogaimView the Source
Auraicept na n-Eces: The Scholars' Primer
George Calder (ed.), John Grant, 1917In Lebor Ogaim, the letter lists and word-oghamsView the Source
The White Goddess: A Historical Grammar of Poetic Myth
Robert Graves, Faber and Faber, 1948Cited for the 1948 tree calendar, not as evidence of ancient practiceView the Source

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