No inscription at Shravanabelagola records the name of the sculptor or workshop that carved the image, even though the patron, Chavundaraya, is well attested. Digambara colossal images of this scale from the tenth century rarely name their carvers at all, so the silence is consistent with the period's own convention rather than a loss of a record that once existed.
What would resolve this A donative or masons' inscription naming a sculptor or guild, of a kind found at other Hoysala and Ganga-period sites but not yet identified at Shravanabelagola itself, or a documentary source from the Ganga court not yet examined.
OpenSouth Indian art history, Ganga-period epigraphyPaul Dundas, The Jains