The panel carries no signature and no surviving documentary record names its painter; art historians disagree over whether the artist was English or French (or Franco-Flemish) trained, a debate more than a century old and still unresolved.
What would resolve this A documentary record from Richard II's own household accounts naming a payment to a specific painter, or a technical or stylistic match confidently linking the panel to another securely attributed work from the same workshop.
OpenMedieval English and French art historyWikipedia contributors, Wilton Diptych (Wikipedia)