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Terreiro

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Origin 1800 to 1850

A terreiro is the house-and-compound that is the fundamental unit of Candomble and of Umbanda, at once a place of worship, a community and a lineage. It is not a congregation that gathers in a building but a household of the spirits: a walled compound holding the shrine rooms of the orixas, a barracao or hall for public ceremonies, quarters for initiates in seclusion, and the sacred trees, springs and plants the religion needs. It is led by a pai de santo or, characteristically, a mae de santo, and its members are ranked by seniority of initiation rather than by age. A terreiro's standing rests on the axe, the vital force, it holds and on the lineage through which it received it, and new houses are founded by initiates who leave to establish their own descent.

Facts
Organisation
Category of Structure
Community 1
Who May Belong
Initiates only 1
A house of initiates gathered around its head
Origins
Origin Period
1800 to 1850 1
Status
Status Today
Living tradition, practised today 1
Learn More
A House That Is a Temple, a Family and a Lineage at Once

The terreiro is the house-and-compound that is the fundamental unit of Candomble and of Umbanda, and it is at once a place of worship, a community and a line of descent.

Not a congregation

A terreiro is not a congregation that gathers and disperses but a religious family gathered around a presiding priest or priestess, the pai or mae de santo, into which members are initiated and to which they belong. The compound contains the shrines of the orixas, the rooms for initiation and seclusion, and the barracao, the hall where the public ceremonies of drumming, song and possession are held. The house is the setting for the whole life of the tradition, from the private work of initiation to the great festivals at which the orixas descend to dance among their people.

Lineage and survival

Each terreiro traces its authority to the house in which its founder was initiated, so the terreiros form lines of descent, and the oldest houses of Salvador in Bahia carry particular prestige as founts of tradition. The institution was the means by which the religion survived slavery and long persecution, since the house could preserve and transmit knowledge within a bounded community, and the terreiro remains the guardian of that knowledge. In recent decades leading terreiros have been recognised as sites of cultural heritage, a public standing that follows a long history in which they were policed and suppressed.

The Houses Founded by the Women Who Kept the Lineages

The terreiro form took shape in Salvador da Bahia in the early nineteenth century, built by enslaved and freed Yoruba, Fon and Central African women and men who had to reconstruct their religious worlds from memory rather than from any surviving institution transplanted whole across the Atlantic. The house most often named as the oldest is Casa Branca, also called Ile Axe Iya Nasso Oka, founded by Yoruba priestesses in the early decades of the century and treated by many later terreiros as the root lineage, the matriz, from which their own founding priests or priestesses trace descent.

Several of Bahia's other major terreiros, including Gantois and Ile Axe Opo Afonja, emerged directly from succession disputes and departures among Casa Branca's own priestesses over the rest of the nineteenth century, so that the houses that look today like separate, independent traditions are in a real sense one lineage that split repeatedly rather than several unrelated foundings.

Because Brazilian law and colonial custom generally denied African religious practice any recognised institutional standing, this branching first happened as a matter of family and household authority rather than through any formal charter, leaving oral lineage claims, not documents, as the primary record of how one terreiro relates to another.

Cross-Tradition Connections

Belongs to Tradition

Quimbanda, Religions

Instances

Sources
1. Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomble
J. Lorand Matory, Princeton University Press, 2005on the Afro-Brazilian religions and the terreiroView the Source
Flash of the Spirit: African and Afro-American Art and Philosophy
Robert Farris Thompson, Random House, 1983on the house and the orixasView the Source
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