Divinity Atlas

Sacred Correspondences
Religious Roles & Titles

Qari

Also Known As Reciter · qaria (feminine) · plural qurra · Reciter; qaria (feminine); plural qurra
Islam Roles

Citation Formats

General Reference

APA Style

BibTeX

A trained reciter of the Quran, skilled in the rules of tajwid, the phonetics of articulation, the lengths of vowels, the points at which one may stop, and in one or more of the canonical readings. The role is distinct from that of a memoriser: a hafiz holds the text, a qari performs it, and the two often coincide but need not.

Recitation is not regarded as music in the tradition, and the distinction matters legally, since instrumental music is disputed among the jurists while recitation is not. It is nonetheless a demanding vocal art with named styles, a slow measured manner used for study and devotion and a faster manner used for extended reading, and it works within the Arab modal system. Kristina Nelson's study of Egyptian recitation documents both the technique and the vigorous public argument about how ornamented a performance may properly be.

Certification runs through a chain: a reciter is licensed by a named teacher in a named reading, and the licence lists the transmitters back to the founder of that reading. The best-known reciters of twentieth-century Egypt were broadcast figures with careers comparable to those of singers, which some scholars welcomed and others regarded as exactly the confusion the tradition guards against.

Facts
Attributions
Tradition
Islam 1
Associated Religion
Islam 1
Status
Status Today
Living tradition, practised today 1
Learn More
The Master of the Sound of the Quran

A qari is a trained reciter of the Quran, skilled in the rules of tajwid, the exact phonetics of its recitation, and the office concerns the correct and beautiful sounding of the revelation.

The science of recitation

Tajwid is the body of rules governing the recitation of the Quran, the precise articulation of the letters, the lengths of the vowels, the points at which the voice pauses or runs on, the nasalisation and assimilation of sounds, and the qari has mastered these so as to recite the text exactly as it is held to have been given and to have been recited by the Prophet. The office is thus one of exactness in sound, preserving not only the words of the revelation but the manner of their utterance, which is regarded as part of what was transmitted.

Art and transmission

Beyond correctness, the qari cultivates the beauty of recitation, and the great reciters are celebrated across the Muslim world for the power and beauty of their voices, their recordings widely heard, so the office joins a science of exactness to a recognised art. The recitation is learned by long training under a master, ideally within a chain of transmission reaching back through the generations, and there are recognised readings, differing traditions of the recitation, that the qari may master. The office overlaps with that of the hafiz, who memorises the text, and the two are often combined, but the qari is defined specifically by the skilled and correct sounding of the Quran, the guardian of how the revelation is to be heard as much as of what it says.

Seven Canonical Ways to Recite the Same Text

The Quran is preserved not in one single reading but in a small number of canonical variant reading traditions, qira'at, differing in matters such as vowelling, pronunciation and occasionally word choice while conveying the same consonantal text, and the tenth century scholar Ibn Mujahid is credited with formally fixing seven of these as canonically authoritative, a number later traditions expanded to ten; a qari trains in one or more of these named reading traditions, and which reading is used in a given country today generally reflects a specific historical transmission rather than any live disagreement about the text's authenticity.

Radio broadcasting transformed the reach of the office in the twentieth century, turning a small number of Egyptian reciters, most famously Abdul Basit Abdul Samad, into figures whose recitations were heard across the entire Muslim world via state radio, cassette tape and, more recently, satellite television and internet streaming, so that a listener in almost any country can now access recitations by qaris whose voices, a century earlier, would have been audible only within a single mosque or a single city.

Formal certification follows the same chain-of-transmission model used across other branches of Islamic scholarship: a qari receives an ijazah, a written certificate naming the specific teacher and reading tradition studied, only after reciting the entire Quran correctly before that teacher from memory or from the text, and a qari who wishes to teach in turn must hold such a certificate reaching back through named teachers to an early authority, so that the credential is not a general diploma but a documented personal chain a student can trace teacher by teacher.

Cross-Tradition Connections

Associated With

Belongs to Tradition

Islam, Religions
Source Encyclopedia of ReligionMircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.)

Element Of

Sunni, Denominations

The trained reciter, skilled in the rules of articulation, and the recitation is a formal discipline with its own certification.

Sources
1. The Art of Reciting the Quran: The Recited Book in the Life of Egypt
Kristina Nelson, University of Texas Press, 1985On tajwid, the styles of recitation and the public argument over ornament
Encyclopedia of Religion
Mircea Eliade (ed.); Lindsay Jones (ed., 2nd ed.), Macmillan Reference, 2005on the qari and tajwidView the Source
The Oxford Dictionary of World Religions
John Bowker (ed.), Oxford University Press, 1997on the recitation of the QuranView the Source
Comments (0)
No comments yet. Be the first to share a thought.
Reader Challenges (0 open reader challenges)
No disputes yet. Spotted an error or a better source? Open the first one.

View At A Past Year

The atlas records no dated fact of its own for this entry, so there is no other year to choose.