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Nave

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Origin The nave derives from the Roman basilica, a secular hall type adopted for Christian worship once the faith gained legal toleration in the fourth century.

The nave is the central, principal space of a church, extending from the main entrance to the chancel or altar and typically flanked by lower side aisles, where the congregation traditionally stood or sat for worship. The term derives from the Latin navis, ship, a reading reinforced by the timber roof structures of many early churches, which resembled an inverted hull.

Facts
Origins
Origin Period
The nave derives from the Roman basilica, a secular hall type adopted for Christian worship once the faith gained legal toleration in the fourth century. 1Tradition: Christianity
Origin Region
The Roman Mediterranean; the nave derives from the long central hall of the Roman civic basilica, adapted as the main body of the Christian church from the fourth century. 1Tradition: Christianity
Status
Status Today
Living tradition, practised today 1
Structure
Structure
The nave is the long central hall of a church, running from the main entrance toward the altar, where the lay congregation traditionally stands or sits. 1Tradition: Christianity
Practice
Liturgical and Scriptural Role
The nave holds the congregation for the whole of the service, and it is its length rather than its width that carries a procession from the door to the altar. 1
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The Nave As The Congregation's Hall

The nave is the long central hall of a church, running from the main entrance at the west end toward the altar at the east, and it is the part of the building where the lay congregation traditionally gathers to attend the liturgy. Structurally the nave is usually the tallest and widest space in the building, flanked on one or both sides by lower side aisles separated from it by rows of columns or piers, an arrangement that lets light reach the center of the hall through clerestory windows set above the aisle roofline while the aisles themselves provide secondary circulation space.

The nave's proportions, long, narrow and oriented along a single processional axis toward the altar, are not accidental; they physically direct attention and movement toward the sanctuary at the east end, so that simply standing inside the building already orients a worshipper toward the liturgical focus of the service. In cathedral and monastic churches the nave is often the largest uninterrupted volume in the entire building, and its scale, height and decoration, from Romanesque round arches to soaring Gothic vaulting, are frequently what a visitor experiences first and remembers most vividly about the church as a whole.

The Nave's Roman Basilica Origins

The nave derives directly from the Roman basilica, a secular building type used for law courts, markets and civic assembly under the Roman Empire, consisting of exactly the long hall, side aisles and clerestory arrangement that Christian builders adopted once the faith gained legal toleration under Constantine in the early fourth century. Choosing the basilica rather than the temple as a model was itself significant: Roman temples were relatively small structures meant to house a cult image, with worship taking place outdoors around an altar in front of the building, an arrangement unsuited to a religion whose central rite required gathering a congregation indoors, while the basilica was already built to hold and orient large groups of people toward one end of a long hall.

Early basilical churches such as Old Saint Peter's in Rome and Santa Sabina established the nave-and-aisles template that would remain the basic organizing plan of Western church architecture for well over a thousand years, surviving essentially intact in concept through the Romanesque and Gothic periods even as vaulting, height, window size and structural technique changed dramatically. The word nave itself comes from the Latin navis, meaning ship, a term some medieval commentators connected symbolically to the church as a vessel carrying the faithful, though the architectural form itself predates that etymology's religious interpretation.

Cross-Tradition Connections

Associated With

Source The Oxford Dictionary of the Christian Church, 3rd revised editionF. L. Cross and E. A. Livingstone (eds.)

Belongs to Tradition

Contained In

Sources
1. Early Christian and Byzantine Architecture
Richard Krautheimer with Slobodan Curcic, Yale University Press (Pelican History of Art), 1986View the Source
The Oxford Dictionary of the Christian Church, 3rd revised edition
F. L. Cross and E. A. Livingstone (eds.), Oxford University Press, 2005View the Source
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